
Acting
From Wikipedia, the free encyclopedia. Bonsile John Kani (born 1943) is a South African actor, director and playwright. He was born in New Brighton, South Africa. Kani joined The Serpent Players (a group of actors whose first performance was in the former snake pit of the zoo, hence the name) in Port Elizabeth in 1965 and helped to create many plays that went unpublished but were performed to a resounding reception. These were followed by the more famous Sizwe Banzi is Dead and The Island, co-written with Athol Fugard and Winston Ntshona, in the early 1970s. He also received an Olivier nomination for his role in My Children My Africa! Kani's work has been widely performed around the world, including New York, where he and Winston Ntshona won a Tony Award in 1975 for Sizwe Banzi Is Dead and The Island. These two plays were presented in repertory at the Edison Theatre for a total of 52 performances. Nothing but the Truth (2002) was his debut as sole playwright and was first performed in the Market Theatre in Johannesburg. This play takes place in post-apartheid South Africa and does not concern the conflicts between whites and blacks, but the rift between blacks who stayed in South Africa to fight apartheid, and those who left only to return when the hated regime folded. It won the 2003 Fleur du Cap Awards for best actor and best new South African play. In the same year he was also awarded a special Obie award for his extraordinary contribution to theatre in the USA. Kani is executive trustee of the Market Theatre Foundation, founder and director of the Market Theatre Laboratory and chairman of the National Arts Council of SA. Description above from the Wikipedia article John Kani, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Sir Robert Beaumont is behind schedule on a railroad in Africa. Enlisting noted engineer John Henry Patterson to right the ship, Beaumont expects results. Everything seems great until the crew discovers the mutilated corpse of the project's foreman, seemingly killed by a lion. After several more attacks, Patterson calls in famed hunter Charles Remington, who has finally met his match in the bloodthirsty lions.

After his best friend is killed in a shark attack, Quinn, a lovable yet tenacious seal assembles a SEAL TEAM to fight back against a gang of sharks overtaking the neighborhood. But this merry band of international seals are not at all trained for such a mission. They seek the help of a much more skillful combatant, Claggart, but even his tricks and flips can’t whip these guys into shape. However, with a little bit of ingenuity, intelligence and a lot of heart, our SEAL TEAM may actually be able to bring peace back to their undersea community.

Marigolds in August was written by Athol Fugard, who in the early 1980s was South Africa's most celebrated playwright. Fugard's intense political opinions were enough for the USSR to object to Marigolds being shown in the 1980 Berlin Festival, but the objections were dropped when it was learned that Fugard had already built up a strong fan following in Eastern Europe (for various reasons, the film was not released in the US until 1984). Winston Ntshona stars as a black South African gardener who travels by foot into the white community looking for a job. Upon arriving, Ntshona discovers that another black, John Kani, may have been hired for that job. Ntshoa ruins the chances for himself and Kani by accusing the other man of planning a theft. Both men are eventually hired by a fellow outcast, a white poacher (played by Anthol Fugard himself). The message would seem to be that if the have-nots of the world stick together, it matters little how badly they're treated by the "haves."

A British multinational company seeks to overthrow a vicious dictator in central Africa. It hires a band of (largely aged) mercenaries in London and sends them in to save the virtuous but imprisoned opposition leader who is also critically ill and due for execution. Just when the team has performed a perfect rescue, the multinational does a deal with the vicious dictator leaving the mercenary band to escape under their own steam and exact revenge.
The play, Sizwe Bansi is Dead, follows the main character, Sizwe, as he writes to his wife after an unsuccessful search for a new job and better life for his family. This film places the viewer in the discussions between the writers of the play: Athol Fugard, John Kani and Winston Ntshona as they attempt to explain and re-write the play.

True story of a man who believes God owns the earth and land cannot be owned by anyone, therefore he's at liberty to build his church on ground occupied by others.

A Soweto schoolgirl named Sarafina is galvanized to protest apartheid after her teacher is arrested for her activism, leading her to join the student resistance movement.

According to the legend of the Shangaan, white lions are the messengers of the gods, but it has been years since one has been seen in their remote African valley. When a white lion is miraculously born into that valley, a young Shangaan named Gisani, finds himself destined to protect this rare and magnificent creature at all costs. This young lion, whom will be known as Letsatsi, is cast from his pride and forced to embark upon a perilous journey of survival.

After starting their own detective agency, Nick and Audrey Spitz land a career-making case when their billionaire pal is kidnapped from his wedding.

Melody returns to her old home to Fairlands the funeral of their daughter, June to attend. But Melody not recognize their city regains because it is almost entirely disappeared under tons of sand. She also learns that they have a 10-year-old grandson, River, has. Melody River will take into their new life, but this is fighting back. He wants to hatch the eggs of ostriches, which he has always fed with his mother. Rivers father, Scoop, a lazy musician and the man in the city post office, wants Melody leaves the city. Here are a lot of conflicts, to Melody learns the truth. But haunts as a sand storm the city, suddenly everything changes.

A South African librarian prepares for the return of the remains of his brother who died in exile.

A South African librarian prepares for the return of the remains of his brother who died in exile.

A South African librarian prepares for the return of the remains of his brother who died in exile.

Two Black South Africans discover what it means to lose their passbooks, which they must carry yo prove their identity during the apartheid era
