One of the greatest playwrights of the 20th century, Arthur Miller created such celebrated works as Death of a Salesman and The Crucible, which continue to move audiences around the world today. He also made headlines for being targeted by the House Un-American Activities Committee at the height of the McCarthy Era and entering into a tumultuous marriage with Hollywood icon Marilyn Monroe. Told from the unique perspective of his daughter, filmmaker Rebecca Miller, Arthur Miller: Writer is an illuminating portrait that combines interviews spanning decades and a wealth of personal archival material, and provides new insights into Miller’s life as an artist and exploring his character in all its complexity.

The Museum of the City of New York’s award-winning short documentary explores how New York City grew from a settlement of a few hundred Europeans, Africans, and Native Americans into the metropolis we know today and features animated maps and archival photographs, prints, and paintings from the Museum’s collections. Now expanded and updated, the film's final chapter captures the astonishing – if sometimes challenging – transformations the city has experienced in the first decades of the 21st century.

Eugene O'Neill tells the haunting story of the life and work of America's greatest and only Nobel Prize-winning playwright -- set within the context of the harrowing family dramas and personal upheavals that shaped him, and that he in turn struggled all his life to give form to in his art.

Roland is an avant-garde artist in Venice, California whose sister lives on their family's estate in Venice, Italy. Their father is near death and announces that his home and priceless collection of art have been bequeathed to the Italian government.

Maria Irene Fornes is “America's Great Unknown Playwright.” When she stops writing due to dementia, a friendship with a young writer reignites her visionary creative spirit, triggering a film collaboration that picks up where the pen left off.

Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.

An in-depth investigation into the private world of the American writer J. D. Salinger (1919-2010), who lived most of his life behind the impenetrable wall of a self-imposed seclusion: how his dramatic experiences during World War II influenced his life and work, his relationships with very young women, his obsessive writing methods, his many literary secrets.

Ben Stiller tells the story of his parents—comedy icons Jerry Stiller and Anne Meara—exploring their impact on popular culture and at home, where the lines between creativity, family, life, and art often blurred.

A documentary about Elzbieta Czyzewska, one of Poland's greatest actresses, a beauty icon of the 1960s, who died in 2010. She had a great career in Poland, but the filmmakers focus more on her attempts to make a name for herself as an actress in America, after her sudden emigration to the United States with her husband, American journalist David Halberstam. Friends and acquaintances of Elzbieta Czyzewska speak without embellishment about her failed marriage, her battle with alcoholism won after years, and her attempts to return to Poland. This is a story about the fate of the actress at different stages of her career: at the top, at the bottom and in between.