A murderous, two-timing thug tries to score the big dope deal...and we're just talking about the filmmaker here! But "dope" IS the operative word when it comes to The Payback And The Vegas Bloodbath.

Deranged and drug-addled misogynistic lunatic Harry Russo suffers from painful flashbacks concerning the abuse he suffered from his parents as a kid. Accompanied by his ventriloquist dummy pal Rubberneck, Russo embarks on a brutal psychotic spree in Las Vegas in which he rapes and murders old ladies, lesbian hitchhikers, and sleazy two-bit whores. Meanwhile, two scummy cops try to nab Russo.

Rachel's lover has been secretly using penis-enlargement cream that has an unusual side effect which ultimately leads to an abomination. Meanwhile, Vanna supports her boyfriend Dick, who is a modern-day Victor Frankenstein. The search for the rampaging monster intensifies as more victims fall prey.

Most people have vanished from the plague. There are a few thousand that still walk the earth. Among them, two outlaws, Harry Russo and Terry Hawkins come face to face with one another in a clash that sets them on a road into destiny, to find the heart of America.

A murderous drug addict driven insane by the demonic voice of his evil ventriloquist dummy sets out on a gore-soaked killing spree in this independent shocker from director Ron Atkins. Insanity is calling and Harry Russo is more than happy to answer by slicing, dicing, filleting and splaying anyone who gets in the way of his quest to achieve a state of complete mental chaos. Harry is not alone on his journey of destruction though, and as his villainous ventriloquist dummy offering a bit of immoral support, the stage is set for some serious bloodletting!

A documentary of uncompromising, outlaw, cult underground filmmaker Jim Van Bebber, covering his life from 2010-2015 while he tries to make a comeback and make a new exploitation film after years of struggling to work.

A millennial happens to be the son of a mob boss. He has to decide whether to join the mob, or to live life without privilege. The leftist indoctrination from school, media, and social networks makes it hard for him to understand the right wing leanings of his father. Will he trade one form of brainwashing for another' If comedy is a social mirror, then this movie is a social circus-mirror.