New York, 1980: airplanes have replaced cars, numbers have replaced names, pills have replaced food, government-arranged marriages have replaced love, and test tube babies have replaced ... well, you get the idea. Scientists revive a man struck by lightning in 1930; he is rechristened "Single O". He is befriended by J-21, who can't marry the girl of his dreams because he isn't "distinguished" enough -- until he is chosen for a 4-month expedition to Mars by a renegade scientist. The Mars J-21, his friend, and stowaway Single O visit is full of scantily clad women doing Busby Berkeley-style dance numbers and worshiping a fat middle-aged man.

A psychotic and sadistic mob boss is infatuated with the young wife of his newlywed attorney, and he plots to get him out of the way so he can have her to himself.

Musical retelling of the "Ali Baba and the 40 Thieves" Arabian Nights tale.

Sundered lovers meet again amid tragic irony at a mining camp in northern Norway.

Turn of the Tide is a 1935 British film directed by Norman Walker. It was the first feature film made by J. Arthur Rank. It is set in a North Yorkshire fishing village, and relates the rivalry between two fishing families. The actors included John Garrick, Geraldine Fitzgerald, Wilfrid Lawson speak in the local accent. The work is based on the novel Three Fevers by Leo Walmsley.

In his last film assignment, portly Walter Connolly fills the title role (in more ways than one) in The Great Victor Herbert. Very little of Herbert's life story is incorporated in the screenplay (a closing title actually apologizes for the film's paucity of cold hard facts); instead, the writers allow the famed composer's works to speak for themselves. In the tradition of one of his own operettas, Herbert spends most of his time patching up the shaky marriage between tenor John Ramsey (Allan Jones) and Louise Hall (Mary Martin). Many of Herbert's most famous compositions are well in evidence, including "Ah! Sweet Mystery of Life", "March of the Toys" and "Kiss Me Again", the latter performed con brio by teenaged coloratura Susanna Foster. Evidently, the producers were able to secure the film rights for the Herbert songs, but not for the stage productions in which they appeared, which may explain such bizarre interpolations as having a song from Naughty Marietta.

An officer becomes entangled in a love affair with a woman who works as a maid.

A clerk is suspected of committing a warehouse robbery and captures the real thieves aboard a pleasure boat.

A composer goes to Devil's Island for killing his wife's lover, then writes an opera about it.

Stranded and broke after her erstwhile boyfriend leaves her, A onetime London heiress joins a con man to bilk a millionaire at his Italian villa. Little do they realize that he knows full well who they are after being tipped off by Scotland Yard.