
Acting
John Milton Cage Jr. was an American composer, music theorist, artist, and philosopher. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde.

In the late 1950's, Jasper Johns emerged as force in the American art scene. His richly worked paintings of maps, flags, and targets led the artistic community away from Abstract Expressionism toward a new emphasis on the concrete

In 1971, Margaret Leng Tan was the first woman to earn a Doctorate degree from the Juilliard School. Since then, her five-decade career has made the musician a figurehead of avant-garde music, owing predominantly to her incorporation of the toy piano in her performances. We meet Leng Tan at the age of 71 as she embarks on an iconic collaboration with George Crumb, one of the last remaining avant-garde composers of his era. "Twinkle Dammit!" gives access to the rarely-seen creative process between two musical geniuses, peeling back the public-facing surface of the world's greatest toy-piano-virtuoso to explore the private obsessions that have lead to a life committed to the avant-garde.

The happening Alla ricerca del silenzio perduto - Cage's Train has lingered in the memory of all the people who took part in it, and the echoes left behind by the American composer's “prepared train” have spread through time. This rare document, edited by Oderso Rubini and Massimo Simonini.

A sonic innovator or an expert on chance? This documentary by Oscar-winning director Allan Miller and Emmy-winner Paul Smaczny pays tribute to the most fascinating American avant-garde composer. Shot in America, Germany and Japan, 'Journeys in Sound' premieres rare archival footage and features associates of John Cage and contemporary artists.

A television documentary about John Cage and his music.
Although Rahsaan Roland Kirk and John Cage never actually meet in this film (Cage's enigmatic questions about sound are intercut with some of Kirk's more ambitious experiments with it) these two very different musical iconoclasts share a similar vision of the boundless possibilities of music.

Avant-garde composer John Cage is famous for his experimental pieces and "chance music" but temporarily branched into video in 1992 with this art film about meaningless activity. The work is composed of two segments that are supposed to be played simultaneously: "One 11" contains the artistic statement, and "103" is a 17-part orchestral piece. Also included is a revealing documentary about Cage and director Henning Lohner.

Celebrated documentary filmmaker Emile DeAntonio discusses his comtempt for J Edgar Hoover, the Federal Bureau of Investigation (FBI), and American political intolerance in general.

Global Groove was a collaborative piece by Nam June Paik and John Godfrey. Paik, amongst other artists who shared the same vision in the 1960s, saw the potential in the television beyond it being a one-sided medium to present programs and commercials. Instead, he saw it more as a place to facilitate a free flow of information exchange. He wanted to strip away the limitations from copyright system and network restrictions and bring in a new TV culture where information could be accessed inexpensively and conveniently. The full length of the piece ran 28 minutes and was first broadcasted in January 30, 1974 on WNET.

Observational documentary about the Merce Cunningham Dance Company rehearsing throughout the summer of 1967 in New York.

Avant-garde composer John Cage is famous for his experimental pieces and "chance music" but temporarily branched into video in 1992 with this art film about meaningless activity. The work is composed of two segments that are supposed to be played simultaneously: "One 11" contains the artistic statement, and "103" is a 17-part orchestral piece. Also included is a revealing documentary about Cage and director Henning Lohner.

The film begins with a sun materializing out of the emptiness of space. In the first of three sequences we see various images from nature against music: the sky, trees, leaves, a bird, water, sand, a beach. A little boy wanders along the beach observing the natural world around him. He walks and presently comes to a house and peers inside. The second sequence has no music. The narrator speaks of sculptor Alexander Calder and his work, as we see Calder in his workshop, cutting and creating unusual shapes, and seeing the resultant artworks. The last sequence has music as we view images of Calder's work. However, now they are intercut with images from nature so that we understand that Calder's inspiration is the natural world around him. The film ends as it began, with an image of the sun, now fading into the sky.
Present in nearly all cultures and used for many purposes, drums have unique shapes, sounds, names and accents in each region of the world. Behind this vast legacy are individuals who play them and are touched by these ancestral instruments. From the rare budimas used by Tonga people in Zambia to the large drums of the Chinese temples, from the religious festivals of Brazil to the rhythmic richness of the Arab World, these men and women keep this tradition alive.

“Westbeth” was Cunningham’s first video collaboration with Charles Atlas, and the first video project to be made at the Merce Cunningham Dance Studio on the eleventh floor of Westbeth.
Catch 44, co-produced by Nam June Paik, fuses Cage's compositional precepts with the immediacy and real time of video. Cage is seen performing and preparing for the program "WGBX: A Telecast for Composers and Technicians," presented by the Boston public television station WGBX-TV (Channel 44). Subverting audience expectations and underlining Cage's belief that improvisation is a critical element of composition, here the act of scoring music becomes the performance. For Cage, whose work embraces paradox, the ambient noise of the broadcast studio and the alternation of sound and silence determine the nature and direction of the performance from moment to moment. Through his use of repetition, absurdity, found sound and silence, Cage compels the audience to rethink traditional assumptions of musical theory and composition.

Performed like a series of vaudeville scenes that overlap, Antic Meet consists of ten playful and comedic numbers. The curtains opened with Cunningham moving among the other dancers as a clown-like figure "who falls in love with a society whose rules he doesn't know," and concludes much in the same way, as he attempts to keep up with the dancers, each with their own movements, as they dance diagonally across the stage. Cage provided the musical accompaniment, using a version of Concert for Piano and Orchestra, and Rauschenberg designed the costumes, which included fur coats and parachute dresses over black leotards.

Avant-garde composer John Cage is famous for his experimental pieces and "chance music" but temporarily branched into video in 1992 with this art film about meaningless activity. The work is composed of two segments that are supposed to be played simultaneously: "One 11" contains the artistic statement, and "103" is a 17-part orchestral piece. Also included is a revealing documentary about Cage and director Henning Lohner.

A feature length film from acclaimed dance choreographer Merce Cunningham.

Tthis collaborative, crowdsourced performance of John Cage's 4’33” features professionals, amateurs and even digital avatars from around the world putting their own spin on Cage’s infamous composition.

In February 2013, the New World Symphony presented Making the Right Choices: A John Cage Centennial Celebration, a spectacular three-day festival dedicated to the music and ideas of John Cage. As part of the festival, NWS hosted a new video installation entitled NWS: 4’33″, created by New York-based composer, director, performer and recording artist Mikel Rouse; which consisted of video performances contributed by Cage fans via a special YouTube site set up by Rouse. The public was invited to record and submit their own video, and visit the installation during the festival to see their work in the SunTrust Pavilion at the New World Center. These videos will be included in an online Archive of the event, a lasting tribute to this defining and seminal artist.
