
Acting
John Bluthal (born Isaac Bluthal; 12 August 1928 – 15 November 2018) was a comic actor best known for the role of Frank Pickle in the BBC sitcom The Vicar of Dibley and for his work with Spike Milligan in the Q series. He also appeared in several films including the Carry On movies, The Pink Panther movies, A Hard Day's Night, Help!, The Fifth Element and Hail, Caesar! He was born in Poland in 1929 and emigrated with his family to Australia when he was a child. In the early 60s, Bluthal moved to the UK to follow his acting career and returned to Australia in later years. He passed away on 15th November, 2018 at the age of 89.

In 2257, a taxi driver is unintentionally given the task of saving a young girl who is part of the key that will ensure the survival of humanity.

Bertram Oliphant 'Bo' West wants to clear his unjustly smeared reputation, so he joins the Foreign Legion—with Simpson his manservant in tow. But the fort they get posted to is full of eccentric legionnaires, and there's trouble brewing with the locals too. Unbeknown to Bo, his lady love has followed him in disguise.

Carry On favourite Barbara Windsor makes her debut in this outrageous send-up of the James Bond movies. Fearless agent Desmond Simpkins and Charlie Bind, aided and abetted by the comely Agent Honeybutt and Agent Crump, battle against the evil powers of international bad guys STENCH and their three cronies.

Sir James Bond is called back out of retirement to stop SMERSH. In order to trick SMERSH, James thinks up the ultimate plan - that every agent will be named 'James Bond'. One of the Bonds, whose real name is Evelyn Tremble is sent to take on Le Chiffre in a game of baccarat, but all the Bonds get more than they can handle.

In this high-camp farce, Goons legend Spike Milligan stars as William Topaz McGonagall, an unemployed Scottish weaver and aspiring poet laureate who falls in love with Queen Victoria - a brilliant cameo by Peter Sellers - and thereafter devotes his banal poetry to her. Though McGonagall's solicitations are rejected by the Queen, it doesn't stop the turgid prose, and pathos, from overflowing as McGonagall hilariously attempts to become the greatest poet in the land. The image of the bad poet, trapped by his romanticism and inspired by a muse with a tin ear, appealed mightily to Spike Milligan, and this cult British spoof features the Goons show maestro at his ridiculous, genre-defying best.

An obscure Eastern cult that practices human sacrifice pursues Ringo after he unknowingly puts on a ceremonial ring (that, of course, won't come off). On top of that, a pair of mad scientists, members of Scotland Yard, and a beautiful but dead-eyed assassin all have their own plans for the Fab Four.

Celebrating twenty years of classic Carry On films, two of the films’ best-loved stars, Kenneth Williams and Barbara Windsor return to Pinewood film studios to unwrap some rib-tickling moments from the series. From the original, military mayhem of Carry On Sergeant, through to the really ancient archaeological gags of Carry On Behind, our saucy hosts get their titters out for this laugh-a-second gallop through the most successful series of British comedy films ever made.

Set in rural Australia and Tuscany in the 1950's, this is the story of two brothers and the bride who - as fate would have it - arrives from Italy betrothed to one yet falls madly in love with the other.

Harriet Blossom is married to Robert Blossom, a businessman who'd rather spend the night at his bra factory than at home with her. One day, Harriet's sewing machine breaks, so Robert sends a repairman, Ambrose, to fix it. It's lust at first sight for Harriet, who convinces Ambrose to hide out in the attic for a tryst. When her new beau shows no desire to leave, the pair begin a years-long love affair right under Robert's nose.

This Western spoof stars Richard Widmark as an American gambler who wins the deed to a Mexican ranch from a cunning outlaw. At the ranch, the gambler discovers that his new lands have entangled him in an ancient Aztec curse. The ranch's patriarch tries to persuade the newcomer to marry his daughter and explains that the family's women are doomed to be especially fierce and prolific in their romantic encounters.
