Writing
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Western for the SDS portrays the development of the left as a learning process among women who sharpen their awareness in the movement but continue to have no say. The controversy surrounding the film is shown in the DFFB weekly newsreel Requiem for a Company. The Western was confiscated by the administration, and eighteen students who sided with Straschek were expelled from the academy. The film was considered lost until its rediscovery in 2018.
Straschek's film points to the gap between workers and intellectuals and describes the "difficulties of the revolution" in a biting and witty way.
Scenes from Berlin: Kids playing football, a man tries to light a fire in his stove, a film team sets up a shot in a park, students discuss politics.
An Arab immigrant, living in Berlin.
At the end of the 1960s the post-war generation began to revolt against their parents. This was a generation disillusioned by anti-communist capitalism and a state apparatus in which they believed they saw fascist tendencies. This generation included journalist Ulrike Meinhof, lawyer Horst Mahler, filmmaker Holger Meins as well as students Gudrun Ensslin and Andreas Baader.
This Harun Farocki film shows the creation of a picture on which the artist worked for nine weeks. Sarah Schumann lives in Berlin and is a pioneer of the feminist scene. 1977 together with several other artists she organized the first large exhibition in which only work by women was shown. Sarah Schumann paints figuratively, that is to say she has developed a technique using layers of collage and painting worked on top of and into one another. Regarding a picture becomes an adventure. (harunfarocki.de)
An educational film about an aspect of political economy. The concepts of use value, barter value and labor as a commodity are the subjects; they are intended to introduce the process of understanding the theory of value of work and the law of values, alienation and fetish.