Berlin, shortly after World War II. Five parentless siblings, led by the oldest sister Inge Kuckert, search for a place to stay and a basis of existence in the destroyed city. A bombed villa in the Grunewald seems to be the right "cuckoo's nest", but an alleged authorised disposal tries to drive the siblings out of the building. Fortunately, the friendly neighbor can help.

The girl Marianne inherited a motorboat called “Eintracht” from her parents and struggled to get her to drive it with her uncle. There is a row with the new engineer Michel the evening after the first trip. He leaves - out of jealousy. Instead of him, Marianne takes three funny musicians with her who are looking for work. The trip to Hamburg on the Elbe initially ends on a sandbank, from which another barge, the "Petrel", frees them. Michel has now been hired there. After a few complications and pointless fights, because Marianne has long been in love with Michel, there is the well-deserved happy ending.

After her husband dies, a German woman who gave up her infant for adoption to emigrate to America returns to Germany, discovering that her child is being raised by a married orchestra conductor.

In 1807 Prussia, Napoleon supporter Baron von Schranden forces his maid Regine to lead the French enemy across “Cat’s Bridge”, up behind a corps of Prussian volunteers who the French then decimate. In retaliation for this betrayal, the people of Schranden set the lord’s castle on fire. When the baron’s son Boleslav returns to the village a Prussian war hero in 1813, he is faced with a self-righteous village community that has denied his late father a decent burial. Regine is Boleslav’s only ally, and Boleslav is Regine’s only ally. The conflict escalates, and the villagers set up an ambush for him at Cat’s Bridge …

An unknown guest checks into an obscure hotel. He is a burly but well-dressed gentleman carrying an umbrella and a tree frog in a glass. This man spends most of his time wandering the hallways and staircases of the inn, ostensibly to hunt for flies to feed his pet. But quite obviously, there is more to it than that: the man also listens at doors and peeks through their keyholes.

The story of Johann Friedrich Böttger, an apothecary’s apprentice and alchemist’s assistant. Fleeing from the Prussian King, he goes to Saxony, where King Frederick August the Strong takes him to a fortress and demands that he create gold. Böttger is equipped with everything he would need for the task, but he has known for a while that actual gold production is a myth and instead experiments with porcelain—white porcelain, as the Chinese are said to possess. In 1709, he finally succeeds in surprising the King with the "white gold," the first white porcelain made in Europe, he hopes for freedom.

During the global economic crisis, "Morgenrot" mine is due to be closed due to unprofitable results. With the use of a machine forbidden for security reasons, the mates try to work more effectively and thus save their jobs. A serious accident happens.

A novelty in German post-war history: a young woman becomes mayor in a village. She is efficient and enjoys respect, but soon enough two villagers disagree with her work. In her predecessor, a prominent farmer, she has a bitter enemy. But even her boyhood friend, who wants to marry her as he returns home from captivity, can not accept that his future wife holds such an office.

Before he became cult director Douglas Sirk, Detlef Sierck cut his teeth on such lavish European star vehicles as Das Hofkonzert (The Court Concert). Marta Eggerth is cast as Christine, a young singer who aspires to find out who her father was. Her odyssey brings her to the court of a mythical kingdom, where she is romanced by handsome lieutenant Walter (Johannes Heesters). He is warned not to lose his heart to a "commoner," but all turns out all right when King Serenissimus (Otto Tressler) turns out to be Christine's long-lost daddy. Hofkonzert was designed as a comeback for Marta Eggerth, whose star had eclipsed by the mid-1930s.