Acting
Rabaeus, who was born in Stockholm but grew up in Paris and Geneve, generally portrays very unpleasant characters, one of them being the stepfather to Erik Ponti in the film Evil.
Elisabeth and Gudrun are two Swedish divorcées, both over 40, who meet when Elisabeth parks her car on a loading zone and is ticketed by Gudrun. Despite this shaky start, a friendship grows between the two. Elizabeth, a gynecologist, is sexy and confident. She leads the shy Gudrun through the dangerous waters of single life. But as they cavort through the dance floors and bars of Stockholm's nightlife they are led to a deeper examination of the relationships with men.
Miss Remarkable's struggle with her own demons, crushing parental expectations and a career meltdown.
Larsen, an aspiring poet in '20s Oslo, leaves his girlfriend to spend a year as a trapper in East Greenland. There he is teamed with a seemingly rough old sailor/trapper, Randbæk, and a scientist, Holm. Trapped in a tiny hut together as the Arctic winter sets in, a complex and intense love/hate relationship develops between Randbæk and Larsen, who are more similar than either would like to admit. A powerful psychological and physical drama set against stunningly bleak Arctic scenery.
Stockholm, in the 1950s. Erik is expelled from the local school for getting into one brawl too many. To protect Erik from his violent stepfather’s reaction to his expulsion, Erik's mother arranges for Erik to spend a year at Stjärnsberg Boarding School, the only school willing to accept him. This is Erik's last chance to graduate to Upper School and he promises his mother, for his and her sake, to do all he can to stay out of trouble.
Filmed stage production of Molière's comedic play The Miser about the dangers of greed.
On their way to find Paris, Sture the dog (Hasse Alfredsson) and his friend Picasso end up on a hotel in the middle of nowhere. Along with Miss Mops, Sture tries to sniff out who is causing all the strange events of the hotel.
About the Swedish author Agnes Von Krusenstjerna during the period of her marriage to David Sprengel. In the hallucinatory opening sequence she is brought in a straitjacket by her husband and two psychiatric nurses through the Venice Carnival nocturnal antics to a mental hospital in the city. With her is a manuscript of her autobiography, which she calls "her child". The book is Agnes showdown with her family, and in flashbacks presented, Agnes progress from the author of innocent girls' books to serious and self-consuming novelist.
Andersson's boatyard remains after 25 years, still chased by the same stringent, but misfortuned debt collector. TV producer Vonna Jigert wants Andersson to compete against an Italian company and their boat Fortuna in a race on Göta Kanal – live on TV. The race is broadcasted as a reality show. Same gangly canoer like 25 years ago also has a canoeing vacation on the canal when the race starts.
In the second film with Krister Henriksson as Kurt Wallander, a man enters a bank and threatens to blow it up in the air unless his demands are met. Henning Mankell's sharp-eyed commissioner has the assistance of daughter Linda, newly graduated police officer, and criminal inspector Stefan Lindman.
This short television work stages two performers reading excerpts from the Swedish Government’s Cultural Commission report (SOU 1995:84). Using largely unaltered bureaucratic language, the piece transforms the official text into a restrained satire of cultural policy and administration.