
Acting
"Big Joe" Roberts, as he was known in vaudeville, toured the country with his first wife, Lillian Stuart Roberts as part of a rowdy act known as Roberts, Hays, and Roberts. Their signature routine was called "The Cowboy, the Swell and the Lady." At this time, in the first decade of the twentieth century, Buster Keaton's father, Joe Keaton, had started a summer Actors' Colony for vaudevillians between Lake Michigan and Muskegon Lake in Michigan. Roberts became acquainted with the Keaton family as a member of this community. When Buster Keaton's film apprenticeship years with Roscoe "Fatty" Arbuckle came to an end, and Keaton began making his own shorts in 1920, he asked Roberts to join him. Roberts' hefty 6'3" frame, usually playing a menacing heavy or authority figure, made a striking and amusing contrast to the thin, 5'6" Keaton. IMDB shows that Roberts made only two films without Keaton. He played the role of "Roaring Bill" Rivers in 1922's The Primitive Lover starring Constance Talmadge—Keaton's sister-in-law—and the silent film actor Harrison Ford; and a drill master in the Clyde Cook comedy The Misfit,[4] released in March 1924, after Roberts' death. When Keaton began making feature films in 1923, he apparently intended to continue working with Roberts. Roberts had roles in Keaton's Three Ages and Our Hospitality (both 1923). During the filming of the second feature, Roberts had a stroke but insisted on returning to the set to finish the film. After completion, Roberts suffered another stroke and died shortly afterwards.

A young man falls for a young woman on his trip home; unbeknownst to him, her family has vowed to kill every member of his family.

Newlyweds receive a build-it-yourself house as a wedding gift—and the house can, supposedly, be built in "one week". A rejected suitor secretly re-numbers packing crates, and the husband struggles to assemble the house according to this new 'arrangement' of its parts.

A butterfly collector unwittingly wanders into an Indian encampment while chasing a butterfly, but the tribe has resolved to kill the first white man who enters their encampment because white oil tycoons are trying to force them from their land.

The rituals of courtship, romantic rivalry, and love play out three times as a man vies with a villain for the girl. In the Stone Age, the rivalry is set off by dinosaurs, a turtle used as a ouija board, and a round of golf with stones. In ancient Rome, the men display their brawn through a chariot race, using dogs instead of horses. In contemporary times, the man finds himself overcome by modernity, including a very fragile car.

Buster clowns around in a blacksmith's shop until he and the smithy get in a fight which sends the smithy to jail. Buster helps several customers with horses, then destroys a Rolls Royce while fixing the car parked next to it.

A young golfer is mugged by an escaped convict and finds himself in a prison where he foils a jailbreak.

Buster Keaton gets involved in a series of misunderstandings involving a horse and cart. Eventually he infuriates every cop in the city when he accidentally interrupts a police parade.

In order to impress the father of a girl he is keen on, a young man goes to the city in search of work. In his letters home he writes of his various jobs which her imagination expands into much nobler ones than those that he is actually attempting.

A down on his luck young man makes several attempts at committing suicide but fails them too. He then finds himself becoming more confident through a series of petty adventures, to such an extent that this becomes his undoing.

Buster and a woman are mistakenly married and her initially unfriendly family begins to treat him nicely when they come to believe he has a large inheritance awaiting him.





