The protagonist has a blind date with the Chancellor Merkel.

Neulich 1 is the first part of a series of cinematic notes on everyday life.

Neulich 1 is the third part of a series of cinematic notes on everyday life.

Sonntag Null is the prologue to a series of Sunday excursions

Neulich 1 is the third part of a series of cinematic notes on everyday life.

Neulich 5 is the fifth part of a series of cinematic notes on everyday life. The protagonist enters a brothel, caught between dream and reality, morality and eroticism. The prostitute reveals the town’s involvement, including his family, rather than introducing him to sex for sale. Kuhn’s manner humorously critiques small-minded moralism, while the films highlight painting’s fluidity.

Sonntag 1 is the first part of a series of Sunday excursions

Sonntag 1 is the second part of a series of Sunday excursions

The second part of a series of cinematic notes on everyday life. Here, Jochen Kuhn presents an intimate scene in a dark examination room where a man undergoes a medical procedure with a modern device, revealing images of his mind. This is part of Kuhn’s series on everyday social events. His work, characterized by a strong sense of intimacy and intellectual irony, uses the disappearing image technique to create mysterious stories. Kuhn’s films blend private and public images into a memory landscape, capturing the essence of waiting rooms where fear and hope coexist. He employs a 35 mm camera to over-paint images, leaving traces and scraps that carry forward, showcasing a thoughtful approach to film in a fast-paced editing era.