Two amateur thieves are hired to steal an extremely valuable Van Gogh painting from the abandoned farm of an Argentinian countess.

Peter McShade is a hitman. A job goes wrong when he kills the nephew of a Mafia Boss in Morocco.

After having an "apocalyptic vision" in a peep-show cabin, Zezé decides to enter in the Order of the Caracolários Descalços. Tóni visits his friend, that is in a monastery. The reencounter of these old friends makes them go back in time and remember their adventures...

A baby is kidnapped in a Brazilian airport. Years later, the mother lives in Lisbon and works in a strip-tease bar so she can survive. When she is fired, she joins a gang of bank robbers...

Every year, four ex-soldiers who call themselves "Os Imortais" ("The Immortals"), get together with four women to celebrate their war deeds and remember the old days, back in the war. On the summer of 1985, tired of their monotonous lives, they decide to rob a bank. Joaquim Malarranha, a chief inspector from the local police force who is about to retire, crosses their path and chooses to spend his last days of duty trying to solve the robbery. But as he carries on with his investigation, he discovers more than he could have ever imagined...

In 1970, a man is tortured and murdered by the regime's secret police. Now nearly 40 years later, his friend, who had also been tortured, recognizes the man he deems responsible for the murder of his friend. Along with three old friends and the victim's daughter, they kidnap the man and take him to an isolated house. Once there, the concepts of justice and revenge begin to mix dangerously in a private trial with irreversible consequences.

Tó, a black boy from Zona J, a tough neighborhood in Lisbon, falls in love with a white girl, Carla. Tó dreams of living in Angola and taking Carla with him. However, the reality the two teens are in complicates their plans...

S.Ó.S.”, by Bruno Soares, “Céu Aberto ou Espaço Limitado”, by José António Loureiro, and “Para Cá do Marão”, by José Mazeda, are three short films, all first works by their directors , shown as if they were a single film. What they have in common is the fact that they deal with crimes. Bruno Soares' film, with Marco Costa, Joel Branco and Carmen Santos, deals with a robbery in Lisbon, with the owner of the house confusing the robber with his son. The one by José António Loureiro, with Joaquim Nicolau, is about a man who leaves prison and has difficulty adapting. Finally, José Mazeda's, with João Lagarto, focuses on a dispute in Trás-os-Montes between a local and a Galician.

A group of innocent hostages is left to their own deaths facing a clockwork bomb, while the whole country watches them on the TV.