Stories of three women struggling with alcohol. Dorota is a great prosecutor. Using her immunity, she tries to avoid responsibility for her offenses committed under the influence of alcohol. Her husband, a famous politician, helps her keep the problem secret and rescues her from many troubles but he slowly loses patience. A respected children surgeon Teresa has lost her family due to drinking problem, all she is left with is her job at the hospital where she is the main doctor. The situation goes out of control when the woman comes drunk to the hospital. A student, Magda, likes to party hard and because she is a good student and has a great job, no-one opposes that. At one moment, the girl loses control. A tragedy happens.

Obese 12-year-old Wojtek is ashamed of himself and his mother, who runs a rundown grocery. On a bad hair day, the boy rebels against his mother, but instead of making her change, he humiliates her.

The 1940s. Leon and his sons work on the Vistula River as sandblasters. One day the men fish a woman and her small daughter out of the river. It turns out that they are Jewish women who escaped from Warsaw, where they could not continue hiding. Leon undertakes a heroic struggle for their survival. He gives the women shelter in his home, risking the lives of his own family.

Teenage Mila's suicide attempt is interrupted by a young refugee who fights for survival at all costs.

Months after disappearance, the mother of a missing daughter begins her own increasingly irrational investigation.

In the treacherous and swampy forests that make up the so called “green border” between Belarus and Poland, refugees from the Middle East and Africa trying to reach the European Union are trapped in a geopolitical crisis cynically engineered by Belarusian dictator Alexander Lukashenko. In an attempt to provoke Europe, refugees are lured to the border by propaganda promising easy passage to the EU. Pawns in this hidden war, the lives of Julia, a newly minted activist who has given up her comfortable life, Jan, a young border guard, and a Syrian family intertwine.

A lonely dad, facing the sudden death of a Ukrainian babysitter, takes his daughter and her friend on a journey by the truck. Will trucker and two scamp girls handle the transport of frozen fish, body smuggling and life without a home?

Fed up with pandemics, quarantines and news about ecological disasters, worried about their own uncertain future and the fate of the world, a group of high school students are invited by Kamil, a millionaire's son, to a party at his father's seaside residance.

Mania’s hysterical mother leaves the little girl at her aunt’s in the countryside. On her lonely summer holiday, Mania makes friends with a hen. The girl stages a rebellion when she realises why her aunt keeps chickens.

In Gufler’s video installation The Responsive Body (2019), questions, directed at heteronormative, masculine self-conceptions of an art movement, arise. Gufler channelled texts by the British Op Art artist Bridget Riley into the film and thus provides her with space in an egocentric museum.