Shot with an iPhone, Layla meets Lancelot is a record of the director’s daily journey to and from work. Does happiness lie in accepting repetition or in interrupting it? Everything long awaited always takes place unexpectedly.

Shot with an iPhone, Layla meets Lancelot is a record of the director’s daily journey to and from work. Does happiness lie in accepting repetition or in interrupting it? Everything long awaited always takes place unexpectedly.

Shot with an iPhone, Layla meets Lancelot is a record of the director’s daily journey to and from work. Does happiness lie in accepting repetition or in interrupting it? Everything long awaited always takes place unexpectedly.

Shot with an iPhone, Layla meets Lancelot is a record of the director’s daily journey to and from work. Does happiness lie in accepting repetition or in interrupting it? Everything long awaited always takes place unexpectedly.

Inhabited by bodies that question love and death to the limits of madness, that are heard but not seen, and vice versa, Camera Obscura reveals a particular form of appropriation of the work of French writer and filmmaker Marguerite Duras. From the intersection of writing, video and sound, and his usual experimentalism, Bonneville creates a film made up of ghosts and mysteriously hypnotic and sensory images.

An essay about disaffection in 7 segments inspired by Stendhal's seven stages of love, "De L'Amour" (1822). Most people are afraid of love because they are afraid of their deepest joy, delight and inner freedom.

An essay about disaffection in 7 segments inspired by Stendhal's seven stages of love, "De L'Amour" (1822). Most people are afraid of love because they are afraid of their deepest joy, delight and inner freedom.

An essay about disaffection in 7 segments inspired by Stendhal's seven stages of love, "De L'Amour" (1822). Most people are afraid of love because they are afraid of their deepest joy, delight and inner freedom.

An essay about disaffection in 7 segments inspired by Stendhal's seven stages of love, "De L'Amour" (1822). Most people are afraid of love because they are afraid of their deepest joy, delight and inner freedom.

An essay about disaffection in 7 segments inspired by Stendhal's seven stages of love, "De L'Amour" (1822). Most people are afraid of love because they are afraid of their deepest joy, delight and inner freedom.