A naive girl's love for Switzerland is put to the test in this satiric comedy. Irina is a woman from Russia who all her life has always been fascinated by Switzerland and longs to live there some day, though her notion of Swiss life has more to do with Heidi and old movies set in the Alps than reality.

The architect Daniel Brenner is in his late thirties when he receives his first challenging and lucrative commission: to design a cultural center for a satellite town in East-Berlin. He accepts the offer under the condition that he gets to choose who he works with. This way, he reunites with former colleagues and friends - most of them architects or students of architecture who have since chosen a different profession due to personal restraint or economic confinement. Together, they develop a concept which they hope will be more appealing to the public than the conventional and dull constructions common to the German Democratic Republic. However, their ambitious plans are once and again foiled by their conservative supervisors. As frustration grows, Daniel has trouble keeping his career in balance with his family-life: his wife Wanda wants to leave for West-Germany.

The film describes the activity of an ABV of the People's Police in its section in East Berlin. A mixture of “positive” characters from the beginning, the extensively staged “owl”, who is introduced as a criminal and over the course of time, especially due to the influence of the ABV, develops into a good citizen, and incorrigible characters, with whom the ABV fails with its extensive attempts at rehabilitation and who are arrested after having committed again offenses.

It's Saturday lunchtime in a small town near Munich and there's not much going on. The local bank is already closed, doors and windows are barred. The few passers-by in the main shopping street do not notice that a violent crime is being committed behind these windows. When the police later take up the investigation, a young bank employee becomes the only witness. His statements seem contradictory. And yet it is several other people who now have to struggle with conflicts of conscience. The more gaps in the police's chain of evidence, the more serious the decision to tell the truth and risk their own happiness. It's Saturday lunchtime in a small town near Munich and there's not much going on. The local bank is already closed, doors and windows are barred.

This quirky episodic comedy weaves together three plotlines centered around the employees of a car garage, with some unexpected fairytale elements to get things moving. A woodland fairy convinces shy bookkeeper Piel to suddenly start driving his Trabi far above the speed limit. Manager Neumann sells his soul to a black cat in order to purchase a more respectable vehicle. And a spirit named "Car Accident" offers to warn owner Sengebusch about upcoming traffic accidents so he can make money by always being the first on the scene.

The film tells the story of the smelter brigade of a steel mill whose members are connected by a strong comradeship. Among the workers are, for instance, young Rolf, whom everybody just calls "Lachtaube" and who always comes through for his co-workers, or the likable Hubert, who works as a simple smelter again after being dismissed as the head of the steel mill. Then, there is also the stubborn Manfred, who should have become a brigadier long ago because of his experience and his competence, but this privilege is refused to him because Manfred is not a party member. Ironically, it is Manfred who hears by accident about the plans of the mill to close down the old Martin furnaces – and to lay off the smelters. When the other men learn about the plans they enter the barricades for their jobs and force the plant′s management to face the workers′ demands and criticism.

Irene Klaussen, a brilliant, tomboyish Berlin student, falls for new classmate Peter Lemke. To prove herself, she follows him, first to a school dance in a borrowed gown, then to a year’s stint on a remote oil‐plant construction in Granow. Ostracized at first, she wins respect under FDJ secretary Anton by mastering every trade and helping him study for engineering school. After returning to Berlin, she discovers Peter’s infidelity and, disillusioned, goes back to Granow, finding true partnership and purpose with Anton.

When a World War II bomb with two days to detonation is found in Berlin, Alex and his wife must work quickly to solve a 40-year-old puzzle.

In the last house just behind the western borders of Russia, between Paris/Texas and Korleput/Mecklenburg-Vorpommern, Cindy Sherman, Dogma 95 and Duma 2000, Frank Castorf directs his virst video production "Dämonen" ("Demons") as a sort of post-Soviet-panslavistic panopticon in his own dramaturgy based on Dostojewski's "Demons" and Camus' "The Posessed". All that in set designer Bert Neumann's industrial-designed bungalow (with swimming pool) built onto forbidding landscape.

In Africa - Land of the ever shining sun, German soldiers fulfill a UN mission. For homosexual General Brenner its a dream comes true: Here, where the people are still native and simple, the German can prove his abilities. But then the virgin wife of Brenner gives birth to her first child. Is it the new Messiah? But what is a Messiah good for, if the UN is already there?