In the late 1960s Rolf Liebermann, the legendary intendant of the Hamburg State Opera, had the visionary idea of presenting a number of operas in filmed versions, among the first ever done in color, to be shown on German television. This is the historic recording of a 1968 production by the Hamburg State Opera.

Wagner's communal drama on film.

The world’s only psychedelic children’s opera about an alien invasion.

A fairground in a small town in northern Germany: a young woman named Margret Winter enjoys herself there with a friend. She has 900 D-Mark in her pocket, which she should pay in for her superior. Paul Lohmann, one of three clowns, addresses the two ladies and invites them together with his colleagues Heino and Kallweit to visit the show. While Margret's girlfriend refuses, the later murder victim joins them. Afterwards there is no trace of her. The police interrogate Kallweit, who saw her last. One day later Margret is found dead in the forest, the money has disappeared without a trace together with a piece of jewellery. Is one of three clowns from the circus the murderer? Commissioner Bergmann investigates and scrutinises the three men...

The Knüppels are in trouble with their underage daughter, who has discovered love too early. She has a child with Frank Dreier. But the young people have long since come to an agreement.

Bernd, a 13-year-old paralyzed boy, has met a man, Mr. Soldan, who has taken him out in his wheelchair a few times. Bernd has problems because of his physical helplessness: his friends play soccer, are free, carefree and he is confined to his wheelchair. Soldan also lives in a constant state of mental tension: he has served a prison sentence for stealing money, but has not given up the stolen money. The basis of the close relationship between Soldan and Bernd is their outsider status in relation to the world around them. Long before their acquaintance was finally established, Bernd was already observing Mr. Soldan. The strange thing happens: the 13-year-old boy takes on the role of the detective, who then becomes the perpetrator.