Spit and Ashes is a reimagining of the historical violence waged against women by patriarchal forces in the name of religion, medicine and family. The High Priestess embodies the wild, sexual and grotesque - the un-tamable hunger of female desire and the ultimate threat to male power. The Midwife is the spirit of all women who sought knowledge and agency over their own bodies and paid for their agency with their lives. Through a series of erotic and brutal rituals these women come together to reclaim their bodies and prepare for the fight ahead.

Five young Berlin filmmakers have come together and filmed their sexual daydreams. The result is a foray through urban landscapes: a cruising space is waiting on the parking garage roof. Painful power games relax in a cramped basement vault. And in the old heating power plant you meet for the illegal fist fight. The five short films are rough and playful, aesthetic and explicit: asphalter actress at the finest!

The air is heavy with erotic tension when Jamal and Manon meet in this vivid and stylish t4t tableau. Our duo begins a breath play slow-dance as Manon teases Jamal with a thin bag, dipping the silky plastic into his mouth and over his nose, catching his breath. Adding layers of plastic, Manon smothers her plaything with her fingers, tits, and cunt as Jamal gasps for air. When Manon straps a cock to Jamal’s mouth, he dutifully fucks Manon before offering up his hole to her in an electrifying crescendo.

Passage by Jo Pollux

Madame Manon is proud to show off her gorgeous and so perfectly obedient babydoll Puck Ellington. The Femmedomme uses the doll as her personal toy for pleasure, breaking through the limits of ethically acceptable sex practices.

The evening sun falls on the roof of an industrial building. Two individuals meet – whether intentionally or by accident remains unclear. What follows is a scene in which dream and reality are very close. Blue hour is cruising, with a difference.

Five young Berlin filmmakers have come together and filmed their sexual daydreams. The result is a foray through urban landscapes: a cruising space is waiting on the parking garage roof. Painful power games relax in a cramped basement vault. And in the old heating power plant you meet for the illegal fist fight. The five short films are rough and playful, aesthetic and explicit: asphalter actress at the finest!

Five young Berlin filmmakers have come together and filmed their sexual daydreams. The result is a foray through urban landscapes: a cruising space is waiting on the parking garage roof. Painful power games relax in a cramped basement vault. And in the old heating power plant you meet for the illegal fist fight. The five short films are rough and playful, aesthetic and explicit: asphalter actress at the finest!

Five young Berlin filmmakers have come together and filmed their sexual daydreams. The result is a foray through urban landscapes: a cruising space is waiting on the parking garage roof. Painful power games relax in a cramped basement vault. And in the old heating power plant you meet for the illegal fist fight. The five short films are rough and playful, aesthetic and explicit: asphalter actress at the finest!

This damp and amphibious track extrapolates from field recordings of an immense network of stuttering frogs, which were encountered Yorta Yorta country in South-Eastern Australia. The frogs reacted to their presence and movement by altering the intensity and volume of their vocalizations, creating an organic techno.