Shaped by mysticism, resistance, and the voice of revolutionary leader Amílcar Cabral, we take a personal and poetic journey through the anti-colonial past and present of Guinea-Bissau.

Prima and Lebsi are two young Afro-descendant women who grew up on the outskirts of Lisbon, daughters of immigrants who occasionally meet at a house party, on Cousin's birthday. Lebsi dates Rave, a young street dancer who makes a living dancing in the streets of central Lisbon, and they have a daughter in common. Prima is an orphan of both her father and mother and learned to let go of herself very early on. She lives alone with a cat and found selling cannabis as her alternative to generating money and paying the bills. Still, she is also a respected beat producer in the neighborhood. Both want to improve their lives, they dream of getting out of the “zone” but in the meantime they are living as best they can, asserting themselves in their way.

Issa, a footballer from Guinea-Bissau who plays in Portugal, is contacted by two filmmakers who want to know more about his life and make a documentary. Exposing the voices behind the camera, Nha Sunhu is a reflection on the gaze, bias, and representation of the other.

On a Sunday an older actress (Isabel Ruth) decides to use her mobile phone to take photos of a sleeping young actor (Joaozinho Costa)

In this love story, a young couple faces an uncertain future between Africa and Europe. When they reunite in Lisbon, sharing a house with other immigrants, farness and closeness will test their relationship.

Fact and fiction mix in these episodes of everyday life, in which the cinematographic device transforms the personal stories of each performer into the narrative of a choral film - protagonists of a film that is both poetic and particular.