Telenovela star Mariana is on the verge of a nervous breakdown: shooting is not going smoothly, her popularity is waning, and she is forever being hounded by paparazzi. Frustrated, Mariana can't find out who is responsible for these invasions of her privacy. It is the feared 'Paparazzo' Gabriela Santos, who's real name is Juan. One day, Juan and Mariana meet by chance and fall in love. Now Juan must do everything he can to prevent Mariana from discovering his true identity.

Gabi, a burn unit nurse, is in charge of the mother of an unborn child, burned and comatose from a serial killer assault. The cop handling the case, a friend of Gabi, asks for her help to identify the serial-killer if she wakes up.

On his deathbed, His Majesty Alfredo, King without a crown, is taken back to distant youth memories from the time when he dreamt of becoming a fireman. His encounter with instructor Afonso from the fire brigade, opens a new chapter in the life of the two young men devoted to love and desire, and the will to change the status quo.

Inspired in the Play "Auto da Barca do Inferno" by Gil Vicente, the only Portuguese playwright recognized in the universal history of theater, the story of "When The Angel And The Devil Cooperate" talks about a bet: if the world ended, where would most of the humans end up? In Heaven? Or in Hell? On Earth, the Angel and the Devil come across with the story of a father, Parvo, who blames his daughter's death on Onzeneiro. While Parvo looks to get his revenge on Onzeneiro, this one tries to get rid of the murder charges by paying of the judge. They both gather with their accomplices at the same place, a brothel, without knowing about each other's presence. Here alliances are formed and broken with the help of peculiar friendships, represented by the characters of "Auto da Barca do Inferno".

Portugal, 1975. A time of rough changes. A young gay artist trapped in a small seaside town ran by communist winds. Al Berto, the writer, embodies an entire moving generation. He and his friends exude youth, eccentricity and hope for the future - but right after the fall of Portugal's dictatorship system, the country is not yet ready for his love story.

Pedro gets home at dawn. Before the young boy falls asleep, his lonely mother drags him to the beach.

1970. To Fronteira's village arrives a new chief to the Fiscal Guard. With unshakable convictions about the application of the Law, he quickly comes into confrontation with the population, which survives with the practice of smuggling. But a passionate conflict calls into question all your values and your sense of duty, forcing him to make an unexpected and irreversible decision.

Explore hidden desires on a sleepover, fall in love with the handyman and be seduced by a stranger on the beach as you discover why Love Is the Drug. Boys On Film 17 includes nine complete films: Nicholas Colia's "Alex And The Handyman" starring Keaton Nigel Cooke, Aaron Profumo, and Hogan Gorman; Dawid Ullgren's "Mr. Sugar Daddy" starring Bengt C.W. Carlsson and Aleksandar Gajic; Brendon McDonall's "Spoilers" starring James Peake and Tom Mumford; André D. Chambers's "Tellin' Dad" starring Carl Loughlin, Ricky Tomlinson, and Michael Byron; Eyal Resh's "Boys" starring Wyatt Griswold and Pearce Joza; Martin Edralin's "Hole" starring Ken Harrower and Sebastian Deery; Lorelei Pepi's animated "Happy & Gay"; André Santos and Marco Leão's "Pedro" starring Filipe Abreu and Rita Durão; and Anthony Schatteman's "Kiss Me Softly" starring Ezra Fieremans, Marijke Pinoy, and Marc Van Eeghem.

An entertaining TV movie that tells us how the transition from the Estado Novo to democracy took place on April 25. All this through the eyes of a child, the daughter of a dutiful employee who always had to submit, even if he disagreed, to his boss's despotism in order to provide for his family. Until the day when she simply wanted to enjoy the day of absolute promise, so long awaited, with her daughter.

Portugal, 1968. Salazar, the fascist dictator who reigned the longest time in the world, falls from a chair and suffers a stroke. When he returns to the São Bento mansion to convalesce, he is no longer President of the Council. But no one tells him the truth: not his faithful housekeeper Maria de Jesus, nor his maids Aparecida, Socorro, and Teresinha, nor his personal doctor. For two years he lives under a meticulously constructed illusion, believing he is still President, until his death in 1970.