The story of the CEO of a recently privatized company.

Salvador knew Contança and Santiago. He did not know, but admired, Laurence. Among them, Laurence knew Santiago. Constance did not know Laurence. Only Santiago knew Laurence, Constança and Salvador.

In today's Alentejo, a story of love and death based in a real criminal case.

On a day like any other, a woman leaves work and heads to a party in the outskirts of Lisbon. On her way there she sees a man ready to jump off a bridge. She stops the car and approaches the man, trying to save him.

“Manual of Evasion LX94” is a thought-provoking Dadaist film about time by the Portuguese director Edgar Pêra. It was shot in Lisbon in 1994 and stars Terence McKenna, Robert Anton Wilson and Rudy Rucker. Time is explored from many unusual angles, while Pêra fills the screen with a wide variety of bizarre and mind-warping imagery.

Xavier, a village boy, falls for Laura, neighbor's granddaughter who visits her grandfather annually. Despite flirting at summer dances, Xavier believes he has no chance with her.

In an isolated village of the Alentejo region, a conflict arises. José Vitorino, one of the landowners of the region, rich in prehistoric monuments, wants to build a luxurious solarium in lands filled with ancient rocks, places of devotion and sacred rituals. Indifferent to the people’s protest, who believe in the magical powers of the stones and that the region’s drought is due to the rocks’ destruction, José Vitorino hires an architect to plan his new house. On christmas eve, in the middle of the winter solstice, a strange ceremony around a dolmen, once an altar for bloody sacrifices in more remote times, releases a harmful spell. A race against time to reverse the faulty charm begins.

Roberto is one of those men to whom simulation has become the greatest art. He is an unmoved, inscrutable, mysterious man. But the truth is that Robert feels an intimate, deep tedium. The boredom of those who have already exhausted all the pleasures of life. The only thing still surprising him is the fact that nothing surprises him anymore. One evening he has an overwhelming encounter with a woman. For his own bewilderment, he discovers the sublime horrors in which the woman has sank.