Algarve, late 90s. Following the death of her grandmother, Milene - a strong young woman full of life despite a slight mental handicap - divides her life between her family of notables and a Cape Verdean family that keeps her going, whom she met when her grandmother died. The wind that whistles in the cranes plunges us into the world of two families against the backdrop of Portugal's recent past.

At Uz, an isolated hamlet in the northern mountains of Portugal, four generations live together in a group of around fifty people. When life is rough, solidarity is of the highest order. Everything else is left in God’s hands. They could have emigrated, like so many others, but chose to stay and keep their ancestral way of life, away from the racket of modernity.

Well! Dance, now...

At Uz, an isolated hamlet in the northern mountains of Portugal, four generations live together in a group of around fifty people. When life is rough, solidarity is of the highest order. Everything else is left in God’s hands. They could have emigrated, like so many others, but chose to stay and keep their ancestral way of life, away from the racket of modernity.

At Uz, an isolated hamlet in the northern mountains of Portugal, four generations live together in a group of around fifty people. When life is rough, solidarity is of the highest order. Everything else is left in God’s hands. They could have emigrated, like so many others, but chose to stay and keep their ancestral way of life, away from the racket of modernity.

There's a film subtitler. There's a film she must urgently subtitle. There's the plot of that film, with which she relates on a level that will remain enigmatic to us. And in that film within the film there's a main character, whose dreams are being devoured, and other characters, interested in dreams as well, but far more practical. And there¹s music, and a promise of music. Timelessly wandering through the world.

Georges Bizet's famous opera Carmen tells the story of the eponymous Gypsy woman, depicted as being impulsive and with an eye on smuggling. Taking this perpetuated stereotype into account, we visit a group of Spanish gypsy women who are claiming their own space.

After a brush with death, Maya Gabeira makes history in the male-dominated world of big wave surfing.

Felizbela loves her husband with obsessive intensity, surrounding him with an explosive mix of passion and jealousy that will inevitably turn into hatred. To keep his attention, she stops at nothing, enduring suffering and humiliation in an attempt to win back his love. But Messias can barely conceal his growing disillusionment with life and his unspoken contempt for his wife. One day, Bárbara — Felizbela’s fragile and rebellious niece — bursts into their lives and upsets the balance: her cousin, her aunt, and above all Messias, who finally allows himself to be carried away by his emotions. Felizbela, however, refuses to give in — and will do whatever it takes to save her family.

Portrait of a tannery in Beira Alta and of its workers. The film follows the lives of Carla and Lúcia, the only female workers left after the departure of Patrícia, whose disappearance is the subject of much talk among the workers and serves as a metaphor for the future of the factory after the economic crisis that stormed the country.