João Miller Guerra Movies, TV Shows, and Filmography
João Miller Guerra
Directing
Biography
Filipa REIS (1977) e João MILLER GUERRA (1974)live and work together in Lisbon, Portugal. They directed documentaries Fora da Vida (Best Portuguese Short Film IndieLisboa'15), Bela Vista (Best International Short Film FIDOC'13 and Honorable Mention MiradasDoc'13), Cama de Gato (Best Portuguese Short Film IndieLisboa'12 and Revelation Prize at Festival Luso-Brazilian Santa Maria film'12), Generation Orchestra, Nada Fazi (Best Portuguese Film Fantasporto'12 and audience Award Festival Cortex'12) and Li Ké Terra (Best Portuguese feature film DocLisboa'10 and Special Jury Mention MiradasDoc'11). Their films were presented at international festivals such as Cinéma du Réel, IDFA, DokLeipzig, Bordocs, forumdoc.bh, Festival dei Popoli, Film Look, Recife International Film Window, FIDBA, Dok.Fest, Molodist, Parnu, between others. Their first feature fiction film is currently in post-production. Together they have a film production company Uma Pedra no Sapato, responsible for films like Balada de um Batráquio, by Leonor Teles, who won the Golden Bear for Best Short Film at the Berlin Film Festival'16.
Filmography Movies
Acting
Primeiro Passo
Short film about a shy singer.
Home
Her name is El - a name that sounds like a letter and makes the young androgynous woman a kind of representative of her generation. A generation that is overwhelmed by all the possibilities of the world, globalization and the digital stream. Lisbon is a promise of freedom, independence and an intense life. But the question of meaning brings doubt into everyday life: what if I were happier with someone else or called another place home? When home no longer feels like home, the search becomes routine. When El meets Kay after a break-up, in the midst of her search, their story together begins. Time, space and emotions implode in "Baan", blurring Lisbon with Bangkok, past with present.
The Indispensable Practice of Vagueness
By the director: "Ar.Co embodies each person’s geography, it escapes normalisation. Each individual’s experience is his own. This film is my experience, our experience. Pieced together from the school’s archive, from recordings of classes by Manuel Castro Caldas and from conversations at home."
Cidade Rabat
When her mother dies, 40-year-old Helena now has time for herself after years of taking care of her family. She works at a film production company, dances boisterously, gets drunk. A quiet film about letting go morphs into a coming of middle age story.
Ubu
Ubu, instigated by his wife, murders King Venceslau and usurps the throne of Poland. Intoxicated by power, this grotesque and coward character conducts his reign in an absurd and cruel way, leading his kingdom to ruin. A cinematographic adaptation of Alfred Jarry’s play, a political satire that, cyclically, turns to the reality of world politics.
Production
The Tsugua Diaries
Crista, Carloto and João are building an airy greenhouse for butterflies in the garden. The three of them share household routines, day after day… And they are not the only ones.
Orquestra Geração
Generation Orchestra is a portrait of the impact of an initiative by the same name students from the Miguel Torga School, in Amadora. The initiative was inspired by the international project Orquestra Simon Bolivar, the apex of the National Network of Youth and Children's Orchestras of Venezuela. Ana, Daniel, Diogo and Monica take part in Generation Orchestra and devote themselves to a project that breaks with the formatted context of public schooling and becomes an indispensable part of their lives. From the onset, starting with Drama classes, we discover their dreams, their relationship with music and their sense of truly belonging to a group.
Orquestra Geração
Generation Orchestra is a portrait of the impact of an initiative by the same name students from the Miguel Torga School, in Amadora. The initiative was inspired by the international project Orquestra Simon Bolivar, the apex of the National Network of Youth and Children's Orchestras of Venezuela. Ana, Daniel, Diogo and Monica take part in Generation Orchestra and devote themselves to a project that breaks with the formatted context of public schooling and becomes an indispensable part of their lives. From the onset, starting with Drama classes, we discover their dreams, their relationship with music and their sense of truly belonging to a group.
Cat's Cradle
We wanted to make a film about a teenage mother. We met Joana in a casting that took place in Setubal, in the Bela Vista neighborhood. She appeared to us as a porcelain doll, small, fragile, pale, with a little hair bow. Little by little, she crumbled apart, revealing a charming complexity. We were conquered by the duality of strength and fragility, freedom and incarceration, joy and sorrow. The intimacy and complicity we were able to establish with her made this film possible. In Cat's Cradle, we share her with everyone else.
Fragmentos de Uma Observação Participativa
While observing others, Paula is also, herself, observed. ' Know the difference between an old maid and a spinster? The old maid does not have a choice. '
Fragmentos de Uma Observação Participativa
While observing others, Paula is also, herself, observed. ' Know the difference between an old maid and a spinster? The old maid does not have a choice. '
Li Ké Terra
The story of Miguel Moreira and Ruben Furtado, two Cape Verdean immigrant descendants who live in Portugal but have no legal documents. They are torn between the desire to be a full Portuguese citizen and the obstacles they find in their day to day. Proud of being who they are they keep on dreaming of their future reflecting their wishes for a better life. Above all, Michael and Ruben lead us to one question: What kind of identity has a stateless person?
Bela Vista
Lives being lived, words, gestures, gazes cross our paths, amidst a chaos en framed by a rectangular grid of windows and balconies. Rows of buildings interconnected by corridors perched over courtyards. Each ones property off their private slice of the view. The geometry of the life of a neighborhood: Bela Vista.
On The Side
The portrait of a community as they face their country's economic recession.
The Indispensable Practice of Vagueness
By the director: "Ar.Co embodies each person’s geography, it escapes normalisation. Each individual’s experience is his own. This film is my experience, our experience. Pieced together from the school’s archive, from recordings of classes by Manuel Castro Caldas and from conversations at home."
Gallery
