In this film an artist is under 24-hour surveillance. Through a continuous circulation of images and sounds, the spectator becomes an accomplice and witness to all his movements. During this process we ask ourselves not only why we are following the artist in this way but also about the meaning and the nature of his work.

In an inverted world, where art oscillates between a political decoration and a conversation between illuminated people, someone in the antipodes of art attempts to undo the mirage and, facing the ghosts, in the centre of the world, thinks of the noise that could save him.