Beladona was the greatest star, or so she thought. Careless of her rural property, she lived by night countless adventures. From one such nights in the arms of a stage and movie producer, she begot her dear Lilás. Alas, six minutes after birth, the boy was taken from her and declared dead - due to the intrigue of the producer, who didn't want to recognize the child as his. Taken into custody by a surrogate mother, twenty years after the child grew into a man, who starts his education in the very fado (folk song, also meaning destiny) tavern where his real mother is. Beladona is still an attractive woman - and drama is round the corner.

He and she don't know each other. They randomly meet at a gas station, while drifting. "Where are we going? Far away. Where is that? Near."

Fernando Lopes in the first person: through his words and films, from the village where he was born until Lisbon of present time, we discover the themes and emotions of the work of one of the main authors of portuguese "Cinema Novo".

Fernando Lopes in the first person: through his words and films, from the village where he was born until Lisbon of present time, we discover the themes and emotions of the work of one of the main authors of portuguese "Cinema Novo".

After her mother's death, Sofia returns from a Swiss college to her family's luxurious villa, in Cascais. Through the relashionship between her father, Henrique, and his lover Laura, she will discover the complexity, egothistic, discrete and hypocrite way of life - from which there is no escape.

Laura works as a newscaster and José Maria as a stockbroker, and while they live in the same housing complex, their lives never cross directly. Nevertheless, he watches her from a distance, seeing all her movements without her knowledge. But their lives finally meet when he is invited onto her news program. From there, a romance begins which coincides with the desire of two beings who finally find a reason to seek love once again.

A ghostly meeting with Luís de Camões, the one-eyed adventurer, widely considered Portugal’s greatest poet. Luís de Camões is considered Portugal’s national poet, an equivalent to England’s Shakespeare or Spain’s Cervantes. João Lopes’s film takes us on an otherworldly journey to Camões’s five-hundred-year-old epic Os Lusíadas, which he composed in Macau whilst he was stationed in the colony.

A ghostly meeting with Luís de Camões, the one-eyed adventurer, widely considered Portugal’s greatest poet. Luís de Camões is considered Portugal’s national poet, an equivalent to England’s Shakespeare or Spain’s Cervantes. João Lopes’s film takes us on an otherworldly journey to Camões’s five-hundred-year-old epic Os Lusíadas, which he composed in Macau whilst he was stationed in the colony.