Charles-Edmond, the eldest of the Larmentiel brothers, decides to return to La Rochelle, his hometown to die there. Forty years earlier he had been driven out by his father. Before passing away, the old eccentric announces that he has a hidden son, Émile, a fisherman to whom he wishes to bequeath his property. François, the younger brother, whom Charles-Edmond hates, is eyeing the inheritance to bail out the powerful family business, a veritable fishing trust, and will try to appropriate the affection and property of this inopportune heir. Émile, meanwhile, is too busy arguing with Fernande, a beugland singer, to suspect what awaits him...

The story takes place in the racecourses around Paris. A so-called major sells his tips to naive characters.

In a building close to the Place de la Contrescarpe in Paris, a tale of criss‑crossings in turn romantic, gourmet, interested or mystical, between an Italian gigolo and a nightclub hostess, a family of butchers and an apprentice rocker, a mystic tailor, a writer sending himself telegrams, an alert paralytic woman, a thoughtful concierge, a bird breeder and a just‑out‑of‑jail hooligan. Little by little each one discovers each other’s more or less troubled history… when a mysterious death introduces the Police within this huis clos, hastens disclosure of well‑kept secrets and ruffle this little World.

A provincial ingenue leaves her mother’s tobacco shop with dreams of a life in the Parisian theater, only to become entangled in relationships with a lecherous aristocrat, his starry-eyed nephew, and an old ham actor.

Melodrama of two struggling artists whose love for each other is thwarted.She has some success as a ballerina despite being wounded by him in a fit of jealousy. His career as a sculptor is stymied when he is arrested.

Director Jean Delannoy's immediate followup to his brilliant Les Jeux sont Faits was the more conventional Aux Yeux du Souvenir (aka Souvenir and To the Eyes of Memory). The film is based on a true story, wherein an France airliner managed to survive a journey from Rio De Janeiro to Dakar with two of its engines incapacitated. To this already intensely dramatic situation has been added a romantic subplot involving Claire Magny (Michele Morgan) and Jacques Forester (Jean Marais). The love story adds very little to the film; fortunately, neither does it detract from the film's overall quality. As was the case with many French productions of the 1940s, Aux Yeux du Souvenir benefits immeasurably from the Wagnerian musical score by Georges Auric.

Yan, captain of a fishing boat, falls in love with the daughter of his boss, to the great displeasure of Jenny, his jealous mistress.

Back from a stay in the Far East, a woman who knew the names of the chiefs of a drug ring is murdered. Georges Masse, the famous reporter, decides to investigate, accompanied by his faithful photographer P'tit Louis. He will come across some unappetizing characters like M. Dubois, a killer, Luigi Costelli, a dangerous trafficker and a beautiful but dubious lady, Suzanne Wilson. After being himself suspected, Masse will make the truth triumph.

A married industrialist maintains three mistresses. On the instructions of his wife, the tax inspector seizes the small notebook where he records his illegal dealings. After a stormy marital explanation, the industrialist decides to reduce his costs by getting rid of his mistresses and expresses the intention of returning to legality. But he realizes that everyone, even his wife, prefers the old situation, fraud and mistresses, thanks to which everyone found his little profit.

A fashionable singer makes a stopover in the harbor of Cannes, while a radio journalist investigates the fauna of the festival.