Directing
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Chouga is a beautiful, rich and beloved young woman. She is thirty and lives in Astana, the Kazak new capital. She is married to a famous scientist in his sixties and has a seven-year-old son. Her brother and sister-in-law live in Almaty. The couple is tearing apart and Chouga’s brother requests her to come and try to bring them back together. There she meets Ablaï, a rich and idle young man whom she strongly feels attracted to. Once back to Astana, Chouga tries to withstand this sensual attraction about which she has a premonition of a tragic outcome.
Jacques Tourneur is a director of B movies, yet his films display such sophistication that they attract the attention of cinephiles. It was from the 1950s–1960s onward that his work began to gain recognition. Deeply marked by the uncanny and by fear, what does it reveal about the filmmaker’s personality? His apparent nonchalance may well be nothing more than a façade.

The story of three young people in 1951, when the former French trading post of Pondicherry is attached to India.

Mario and his brother Alonso become committed to fishing in a coral-reef in the southern Philippines. With many other children of different origin they work for starvation wages on the ship of unscrupulous captain Murène. Together they drive shoals of fish into a big fish trap having to use the dangerous muro-ami technique in the coral-reefs. Fastened to a stone, the little divers jump into the water to reach the depth faster. Without any equipment they dive down 30 meters. The brutal captain treats the exhausted children like slaves


Marat works as a personal driver in Almaty, capital of Kazakhstan. When he hits a Mercedes, the nightmare begins. The loan he accepts to pay for the damages puts him at the mercy of a Mafia boss.

Chouga is a beautiful, rich and beloved young woman. She is thirty and lives in Astana, the Kazak new capital. She is married to a famous scientist in his sixties and has a seven-year-old son. Her brother and sister-in-law live in Almaty. The couple is tearing apart and Chouga’s brother requests her to come and try to bring them back together. There she meets Ablaï, a rich and idle young man whom she strongly feels attracted to. Once back to Astana, Chouga tries to withstand this sensual attraction about which she has a premonition of a tragic outcome.

From 1945 to 1989, after the capitulation of Nazi Germany, two rival ideologies, communism and capitalism, faced each other in a merciless battle. On one side of the Iron Curtain and on the other, throughout the Cold War, the USSR and the United States sought to shape children’s imaginations through their magazines and films. Never in the history of mankind have so many comic books been published and so many cartoons produced for young people. In November 1989, communism collapsed with the Berlin Wall; capitalism was left to decide the future of the world. What if this victory had been prepared for a long time, and our thinking conditioned, from our early childhood, to ensure this absolute triumph?

A prominent Czech journalist Saša Uhlová leaves her family and joins “cheap labour force” in Western Europe. Undercover, she works at an asparagus farm in Germany, tries her hand as a maid at a hotel in Ireland and takes care of the elderly in France. She experiences first-hand the struggles of Eastern European low-wage workers whose sacrifice and hard work allow for the Western society’s comfort. What is the real price that Europe pays for exploiting its own citizens? How do the lives of economic migrants, who have been forced to leave their children and elderly parents, look like? And why are privileged Europeans looking the other way?

A young woman, fleeing the bloody 1934 events in Shanghai, is sheltered in France by two friends of her late father, the psychiatrist Freyer and cardiologist Ménard. While the first turns her into a subject of study, the second feels compassion for her

Whenever people are released from their society's constraints, there is the possibility that they will behave badly, at least according to the rules of the society they have left behind. This seems to have been particularly the case for Europeans living in colonial establishments in Africa and Asia. In this drama, based on a story by Stefan Zweig, Dr. Steiner (Andrzej Seweryn) was caught with his fingers in the till at a German hospital. Rather than prosecute him, they gave him the option of emigrating elsewhere. He chose to serve at a clinic in a remote part of Portuguese Goa. He has been on his best behavior for years, but when the beautiful wife (Fanny Ardant) of a diplomat comes to him asking for an abortion, he is tempted to ask for sexual favors in return, and his life swiftly goes out of control.

China’s rapid changes from the late 1970s to the early 1990s, as seen through the lives of four performers in a theater troupe.