Donald Richie’s classic is, in the words of Yukio Mishima, an outrageous farce, and a pitiless indictment of all our false ‘human’ values. As an allegory of an ‘all-consuming’ Tokyo family cannibalizing each other in a Tokyo park, it attains the highest reaches of black humour.

In 1960s Tokyo, Gonda owns a bar in which the gay, cross-dresser, and trans scenes meet. Gonda is in a relationship with the madam of the bar, Leda. As the younger Eddie starts a passionate affair with Gonda, she ignites the jealousy of Leda, unaware of another kind of history between them.