At the Ronov castle, the archive-keeper professor Nykl (Milos Nedbal) is searching for the lost painting The Naked Shepherdess by the famous Fragonard. Nykl is just about to disassemble the mantelpiece in the knight's hall, convinced that the painting must be hidden somewhere inside. His efforts, however, meet the strong disapproval of the castle manager, Anna Juzová (Jirina Petrovická), who knows very well where The Naked Shepherdess is. She wants to get hold of the painting herself, to emigrate and smuggle it along. In fact, Anna deals with forgeries of the most distinguished old masters, selling them abroad. The copies are made for her by the painter and restorer Maudr (Martin Ruzek) and the certificates of authenticity are issued by Anna's companion - expert Laburda (Karel Höger). One day, Anna is found murdered in front of the castle's fireplace.

When Dr. Hahn is found murdered in the hospital’s inspection room, investigators question several suspects: his colleague and longtime lover Dr. Marie Nováková (whom he cheated on with nurse Jiřina), the nurse herself, Dr. Petera (whose career he stymied), a senile patient named Zima, and the inept clinic head. As police sift through truthful and deceptive testimonies, complex professional rivalries and personal entanglements among the hospital staff come to light.

This drama with a criminal plot is a study of the intricately intertwined relationships of four people whose lives have been interrupted by the violent death of a loved one. The story begins almost classically: when a visitor rings the doorbell of a prominent scientist's villa, there is an explosion. The owner is found poisoned by gas in the demolished room. Everything suggests that he committed suicide. But then a major twist comes and the seemingly obvious suicide becomes a well thought out and carefully prepared crime...

​In 1947 Prague, Holocaust survivor Dita lives in a hostel for orphans, acting as a protective mentor to a younger girl while failing to fix her own shattered life. Unable to form lasting bonds or find a place in a society that has moved on, she drifts through emotional isolation.

At the year 1946, the time of the Nuremberg Process. One of the main actors of the Second World War, who reportedly committed suicide, Adolf Hitler is, however, missing. The Czech doctor Herman (Karel Höger) is kidnapped from Prague and driven to the sanatorium of Professor Rolf Harting (Jirí Vrstála). The sanatorium is a disguised military stronghold, most probably occupied by a Nazi garrison, with prison cells and an execution chamber in the basement. At night, Herman is taken to a patient in whom he, to his horror, recognizes Hitler (Fritz Diez).

The Ronov castle has been changed into a hotel, offering stylish facilities to its guests: weddings in the torture chamber, a Black Lancer kidnapping brides, a night's lodging in a family tomb etc. The reformed petty swindler Felix Pacínek (Bohumil Smída) runs the hotel. The business is far from thriving; the place is half-empty, and the jazz band Skeleton, together with their singer Zuzanka (Jaroslava Obermaierová), decide to leave. Nobody in the hotel has any idea that the band is in fact a gang of thieves who have just robbed the Prague State Bank, taking two million crowns from its vaults.

In 1647, the impoverished noble Václav Rynda shelters an imperial commissioner-only to learn the visitors are French agents plotting a Bohemian revolt against the Habsburgs.

Who wouldn't want to return to the limelight? Years ago, actress Slávka Hradilová was a movie star. Today, she is approaching 60 and the most she does is appear in commercials. But she still keeps in shape. She regularly meets with friends to help them solve their problems, enjoys her teenage granddaughter, but above all she longs to get a big role in front of the movie camera again. When one day she gets an offer with a script in hand, she beams and heads to the studios where she was once almost a queen. But it turns out that times have changed, and today's directors want something different from actors than routine gestures and flashy facial expressions. So the former star is in for a profound disappointment...