Jimmy Little Movies, TV Shows, and Filmography
Jimmy Little
Acting
Biography
Description taken from English Wikipedia. James Oswald Little, AO (1 March 1937 – 2 April 2012) was an Australian Aboriginal musician, actor and teacher, who was a member of the Yorta Yorta tribe and was raised on the Cummeragunja Reserve, New South Wales. Little started his professional career in 1951, as a singer-songwriter and guitarist, which spanned six decades. For many years he was the main Aboriginal star on the Australian music scene. His music was influenced by Nat King Cole, Johnny Mathis and American country music artist Jim Reeves. His gospel song "Royal Telephone" (1963) sold over 75,000 copies, and his most popular album, Messenger, peaked at No. 26 in 1999 on the ARIA Albums Chart. At the ARIA Music Awards of 1999, Little was inducted into the ARIA Hall of Fame and won an ARIA Award for Best Adult Contemporary Album. On Australia Day (26 January) 2004, he was made an Officer of the Order of Australia with the citation, "For service to the entertainment industry as a singer, recording artist and songwriter and to the community through reconciliation and as an ambassador for Indigenous culture". As an actor, he appeared in the films Shadow of the Boomerang (1960) and Until the End of the World (1991), in the theatre production Black Cockatoos and in the opera Black River. As a teacher, from 1985, he worked at the Eora Centre in Redfern and from 2000 was a guest lecturer at the University of Sydney's Koori Centre.
Filmography Movies
Acting
Until the End of the World
In 1999, a woman's life is forever changed after she survives a car crash with two bank robbers, who enlist her help to take the money to a drop in Paris. On the way, she runs into another fugitive from the law — an American doctor on the run from the CIA. They want to confiscate his father's invention – a device which allows anyone to record their dreams and visions.
Somewhere in the Darkness
In this Australian drama, a department store collapses, trapping an old man (Barry Jenkins) and a young boy (Rowan Whitt) underneath. In hopes of keeping the child calm, the man tells him a series of folk tales which teach a moral lesson while they entertain. Somewhere In The Darkness received its world premier at the 1999 Slamdance Film Festival in the United States; it was later screened at Australia's Sydney Film Festival the same year. ~ Mark Deming, Rovi
Night Cries: A Rural Tragedy
A short film about the relationship between an Aboriginal daughter and her white mother. The daughter, now the sole carer of her dying mother, dreams of far away places, the haunted look in her eyes loaded with a sense of what could have been. Famous Aboriginal singer, Jimmy Little, sings 'Royal Telephone', evoking the presence of Christianity and its role in the assimilation of Aboriginal people. The final scene sees the daughter lying in a foetal position next to her mother, crying. Assimilation, then, can be understood as a pain experienced by both the Aboriginal daughter as well as the white mother.
Shadow of the Boomerang
An American brother and sister move to Australia to manage a cattle station, but the brother's racist attitude causes problems. After hearing a message by evangelist Billy Graham on the radio though, he has a change of heart and learns to accept the Aboriginal people.
Taxi
A New York cab driver helps an Irish immigrant with a baby locate her missing husband.
The Sleeping City
A young doctor taking a break from work is shot in the head, and the police can't find a clue even as to a possible motive. Inspector Al Gordon (John Alexander) decides that he has to put some men on duty at the hospital, and one of them is Fred Rowan (Richard Conte), a detective with experience as an army medic, masquerading as an intern. What Rowan finds is a high-pressure world in which interns are hopelessly squeezed for time, sleep, energy, and -- most of all -- money, and walk a fine line on the edge of personal and professional disaster.
Fright
A woman believes herself to be the reincarnated spirit of an ancient prince's lover. Meanwhile, a murderer turns out to be the reincarnated spirit of the prince himself.
Eadie Was a Lady
In this amiable Columbia B musical, society girl Ann Miller escapes her Back Bay family by performing in the chorus line in a burlesque house. But trouble starts when her boss (William Wright) decides to build her up as a star. One of the many bread-and-butter Columbia productions graced by the contributions of Cole’s in-house dance studio. Cole dances behind Miller in “I’m Gonna See My Baby.” --Museum of Modern Art
Hey, Rookie
Musical comedy star Jimmy Leighter wants to get away from show biz and his leading lady Winnie Clark, so he joins the Army. There he gets the order to put on a show, Winnie Clark appears in a camp show, hears about his task and offers him his help. He thinks, she does it for her publicity only, so he doesn't want to know anything about this, till he finds out, that she has no such intentions.
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