Folks are busy at the production offices of Mort Downey Jr.'s talk show. A warehouse worker is preparing manifests for shipping. He needs the sign off of the producer, a voluble woman who's talking non-stop on the phone to someone named Harry. She signs the manifest without looking up as she talks about sexual surrogates, a woman crushed to death by her fat lover, and a fist fight on Geraldo Rivera's show. "Thank goodness he's been taking boxing lessons," she says. She's interrupted by the arrival of a uniformed woman with a nose ring. The woman opens a paper bag she's carrying and hands the producer what's inside. The horror is only beginning...

Story about a woman who lives among the poor and down and out in Chicago.

An unattractive social outcast (Jeff Strong) visits a stranger (Lara Phillips) in prison after setting off the events that landed her there.

A solitary figure walks a railroad bridge. A spectator watches from overhead; he corners the figure to hand him a card saying, 'Don't give up hope.' The figure retaliates with a video camera, filming the spectator. In the distance, they see a woman and follow her into what seems to be, from the outside, a small building, but once inside they're in a labyrinth that takes them to the lair of the Mole King.

A solitary figure walks a railroad bridge. A spectator watches from overhead; he corners the figure to hand him a card saying, 'Don't give up hope.' The figure retaliates with a video camera, filming the spectator. In the distance, they see a woman and follow her into what seems to be, from the outside, a small building, but once inside they're in a labyrinth that takes them to the lair of the Mole King.

A hippie takes a trip whilst watching It's a Wonderful Life on TV.

Folks are busy at the production offices of Mort Downey Jr.'s talk show. A warehouse worker is preparing manifests for shipping. He needs the sign off of the producer, a voluble woman who's talking non-stop on the phone to someone named Harry. She signs the manifest without looking up as she talks about sexual surrogates, a woman crushed to death by her fat lover, and a fist fight on Geraldo Rivera's show. "Thank goodness he's been taking boxing lessons," she says. She's interrupted by the arrival of a uniformed woman with a nose ring. The woman opens a paper bag she's carrying and hands the producer what's inside. The horror is only beginning...

Folks are busy at the production offices of Mort Downey Jr.'s talk show. A warehouse worker is preparing manifests for shipping. He needs the sign off of the producer, a voluble woman who's talking non-stop on the phone to someone named Harry. She signs the manifest without looking up as she talks about sexual surrogates, a woman crushed to death by her fat lover, and a fist fight on Geraldo Rivera's show. "Thank goodness he's been taking boxing lessons," she says. She's interrupted by the arrival of a uniformed woman with a nose ring. The woman opens a paper bag she's carrying and hands the producer what's inside. The horror is only beginning...

Folks are busy at the production offices of Mort Downey Jr.'s talk show. A warehouse worker is preparing manifests for shipping. He needs the sign off of the producer, a voluble woman who's talking non-stop on the phone to someone named Harry. She signs the manifest without looking up as she talks about sexual surrogates, a woman crushed to death by her fat lover, and a fist fight on Geraldo Rivera's show. "Thank goodness he's been taking boxing lessons," she says. She's interrupted by the arrival of a uniformed woman with a nose ring. The woman opens a paper bag she's carrying and hands the producer what's inside. The horror is only beginning...

A solitary figure walks a railroad bridge. A spectator watches from overhead; he corners the figure to hand him a card saying, 'Don't give up hope.' The figure retaliates with a video camera, filming the spectator. In the distance, they see a woman and follow her into what seems to be, from the outside, a small building, but once inside they're in a labyrinth that takes them to the lair of the Mole King.