"A Spy: Hester Reeve Does the Doors" is a videotape by Suzie Silver, performance by Hester Reeve, music by The Doors. Based on a performance created and performed by Hester Reeve on March 8th & 9th, 1991 at Club Lower Links, Chicago, for the program, Bait and Switch (organized by Iris Moore and Suzie Silver.

A UCLA student film by Ronald Raley. Fellow UCLA student Jim Morrison (future member of The Doors) participated as the director of photography. A faux scientific film supposedly made by the "California Institute of Neuropsychiatry." An arrogant scientist, who also narrates the course of the "treatment," picks up a Hollywood street hustler and gets him to agree to a program of retraining. Using shock treatment, the patient is taught to loathe images of himself as a male escort and love the new personality created in the lab.

A UCLA student film by Ronald Raley. Fellow UCLA student Jim Morrison (future member of The Doors) participated as the director of photography. A faux scientific film supposedly made by the "California Institute of Neuropsychiatry." An arrogant scientist, who also narrates the course of the "treatment," picks up a Hollywood street hustler and gets him to agree to a program of retraining. Using shock treatment, the patient is taught to loathe images of himself as a male escort and love the new personality created in the lab.

HWY: An American Pastoral is a film by Jim Morrison, Frank Lisciandro, Paul Ferrara, and Babe Hill and stars Morrison as a hitchhiker. It is a 50-minute experimental film in Direct Cinema style. It was shot during the spring and summer of 1969 in the Mojave Desert and in Los Angeles.

HWY: An American Pastoral is a film by Jim Morrison, Frank Lisciandro, Paul Ferrara, and Babe Hill and stars Morrison as a hitchhiker. It is a 50-minute experimental film in Direct Cinema style. It was shot during the spring and summer of 1969 in the Mojave Desert and in Los Angeles.

HWY: An American Pastoral is a film by Jim Morrison, Frank Lisciandro, Paul Ferrara, and Babe Hill and stars Morrison as a hitchhiker. It is a 50-minute experimental film in Direct Cinema style. It was shot during the spring and summer of 1969 in the Mojave Desert and in Los Angeles.

Three men are dangerously obsessed with the same woman.

A cinematic look at The Doors on the road during their summer '68 tour. Concert performances are intercut with fly-on-the-wall footage of the group in their natural habitat.

This beginning UCLA student workshop film intercuts absurdist sequences of increasing violence, providing a fascinating glimpse into UCLA's film school in the 60s, with then student Jim Morrison as location sound man. Director Alex Prisadsky recalls that working on Morrison's student film a week earlier helped to inspire some scenes in this production. Includes footage of a bonfire celebration after a Bruin basketball victory.

Jim Morrison's only surviving UCLA film, a proto-commentary on the male gaze. A woman emerges, stops at a water fountain. A voyeur attempts to photograph her from above. When she disappears from sight, he slumps to the ground and begins to fondle his telephoto lens, presented here as a phallic symbol.