A man coming off a disastrous affair with a married woman has a lyrical, strange and comedic cross-country journey in a modified VW bus.

Told through memory and metaphor, Utopians is a dark and subtly comic character study of three people on the edge: of society, of control, and of collapse. Roger is a yoga teacher. His daughter Zoe returns home from the military and to Rogers dismay resumes her relationship with her allegedly schizophrenic girlfriend Maya. Opposed to Zoe's pursuit of Maya but eager to be a part of his daughters life, Roger becomes entangled in the ups and downs of their relationship. Increasingly late and obviously distracted during his yoga classes, his few remaining students begin to lose patience. When Rogers well-meaning friend Morris offers them a live-in renovation job in an upscale Brooklyn home, the three of them move in and start a job they are not exactly qualified for. Living rent-free provides them with a respite from the responsibilities and expectations of the outside world. Together they try to find comfort in their new reality while being revisited by their troubled pasts.

An exploration of Soviet director Sergei Eisenstein's notes and drawings for a science fiction movie that he pitched to Paramount in 1930 about the residents of a skyscraper with walls and floors of clear glass.

An elliptical depiction of events from the night of an alleged rape, and the celebration after the acquittal.

This short cartoon features a text generated by a machine learning algorithm which has been trained on answers to the question “What is the meaning of life?”

Can Los Angeles of the 30’s be effectively placed alongside modern 21st century Los Angeles? As a true experiment, Awake and Sing mixes periods and genres taking pleasure not in easy solutions, but in the search for a form or way of telling that has to be tried out, discovered.

“We are the King of Ventilators” is a compelling and prescient performance to camera by Jim Fletcher, directed by Tim Etchells, with text by Chris Thorpe. The work takes a phrase about US ventilator production repeated by US President Donald Trump during the Covid-19 epidemic, and places it in sharp counterpoint with original material to create a comical and unsettling reflection on power, mortality, and delusion.