Jordan White and Amy Blue, two troubled teens, pick up an adolescent drifter, Xavier Red. Together, the threesome embarks on a sex- and violence-filled journey through a United States of psychos and quickie marts.

Chris Isaak begins his third decade as one of the most distinctive recording artists- and the epitome of modern cool-with his first career-spanning retrospective.

A collection of Bruce Weber's favorite images of his dogs, friends, and historical world events.

Veronica is a white-bread beauty searching for a good man in Los Angeles. While slam dancing at a Halloween rave, she meets Abel, a sensitive poet. Then she meets Zed, a supersexy tattooed drummer with incredible biceps. Who will she choose? Does she go for true love or cheap sex? She can't decide so she chooses both. But after managing to nurture a picture-perfect threesome, along comes Ernest, a rich movie director with deep baby blues that sweep Veronica off her feet. What's a girl to do now?

A quickfire portrait of the New York City ballroom scene in the ‘80s.

A homage to Bruce Weber's Favourite things, these being mixing film, photography and classic movies. With portraits of a lesbian jazz singer and a 16-year-old wrestler.

Heaven Scent, an agoraphobic rock star, is preparing for a big show at Madison Square Garden as a calvacade of transsexuals, punk rockers on motorbikes, rival musicians, and a dominatrix and her Russian muscle slave, drop by her loft.

Playing hooky from school, Tony, a student/chorister at the Cathedral of St. John the Divine, spends the afternoon at Central Park's Sailboat lake and retrieves a remote control device left behind by a pair of sailboat racers. Back in the schoolyard, Tony pretends that he has a car to go with the remote control. When another boy tries to take the control from him, it falls on the ground and a red remote-control sports car miraculously appears. The car "dances" to rap music and even brings Tony a can of soda. One day, a sinister-looking man with a briefcase steals the car and flees into the subway. Tony and his classmates pursue the thief to the Wall Street area and ask to inspect the briefcases of passing businessmen. Eluding the students, the crook hails a taxi and hurls the briefcase from the window. Next morning, Tony hears the sound of a sports car during a church service. Returning to its rightful owner, the magical car mysteriously reappears at the end of the processional.

As three boys set out one autumn Saturday to scrounge up some wood for a go-cart, the youngest tries again and again to be accepted as an equal by his older brother but to no avail, until they come to a certain grassy hill

The narrative unfolds as a timid young man, Cal, arrives for a date at the penthouse of June whose house resembles a whimsical modern art installation almost like Pee-Wee's Playhouse. He offers her roses, only to have them immediately rejected. What follows is a series of absurd, slapstick-inspired events—breaking a decorative bust, accidentally putting a fish in the June’s drink—that culminate in Cal posing shirtless on her indoor “beach” set, sparking June's creative epiphany and leading her to photograph him for a Vogue ad campaign. This short film was created in 1987 under the mentorship of Martin Scorsese while Gruber was a student at Columbia Film School, and has since earned a place in exhibitions at New York’s MoMA, cementing its status as a noteworthy artistic work.