Police discover Eva Nejtková dead in her apartment and her husband Zdeněk unconscious from a shotgun wound. Captain Hora leads the investigation, noting that the killer struck Eva fatally and shattered her large aquarium, yet carefully transferred the goldfish into a smaller tank. Initial suspicion falls on Zdeněk’s apparent suicide attempt, but financial records and the absence of drugs at the scene shift focus. Detectives trace psychotropic medication supplies to Eva’s dealings with local addicts. As they question these “práškaři,” they uncover a network of illicit sales and potential motives tied to debts and blackmail. Clues from the supplier’s arrest and addicts’ testimonies gradually reveal whether Eva’s murder was linked to her clandestine drug trade or if a more personal betrayal lies at the heart of the crime.

A petrol pump is run by a permanent team: the manager Vávra, a former civil engineer ing. Stejskal, a smug crook named Karafa, and an old man, Dvořák, who is about to retire. They have a well-developed system that allows them to divert part of the profits into their own pockets. The only one who wants nothing to do with the crooked business is old Dvorak, who one day will find another job. Into this situation comes a young man, Zdeněk Černý, as a new employee. He's inquisitive and works quickly. He also understands the profit-sharing system. He soon inspires confidence in Vávra and the others, but soon starts to assert his right to an equal share of the profits...

The film is a metaphor for the Cold War. It depicts two neighbouring nations: peace loving Fortuna and the not so peaceful land of the Steel City.

A comedy about a charming con artist who decisively intervenes in the life of a wealthy industrialist and his entire family. Influential businessman Compass announces at home that it is high time for his nineteen-year-old daughter to get married. He leaves the choice of a suitable partner up to her...

In 1943, a childless couple, the Čížeks, decide to hide a Jewish refugee, David Wiener, the son of Čížek's former employer, in the secret pantry of their apartment. Čížek is aware of the danger into which he has brought his household and his neighbours, but he takes helping his fellow man in need for granted. But at the same time, as a largely unheroic hero, he is dying of fear. His personal situation is greatly complicated by the approaching end of the war, when he faces danger from both the Germans and his "honest" fellow Czechs...

Two families, Sebkovi and Krausovi, are celebrating Christmas, but not everyone is in a good mood. The teenage kids think that their fathers are totally stupid, and the fathers are sure that their children are nothing more than rebels, hating anything they say.

The future communist journalist Julius Fučík had a stimulating childhood and youth in a working-class environment, when his moral maturity was already showing. The authors of the film recall that the young Julek was a star of the suburban operetta scene, and in three episodes they depict him both in his early childhood and already at the gymnasium, when the outbreak of the World War shaped his determination.

In this movie, TV sets are full of life. If a person is in TV (e.g. because it was filmed on the street) it has a double that's right in the TV set. This double needs energy from the true character to survive. Each time, the real human watches TV, his Double will pull life energy from him. So there's a mysterious Death-serial. Many persons die in front of their TV set and nobody knows why. Olda, the main character, is one of the persons, that get more and more weak. He is near death, till Fisarek, the natural healer appears. He teaches Olda how he can resist this magic force and how he can fight it.