Upset over his brother’s murder, Soviet special agent Gregori Wallace leaves Russia to start a new life in the United States. Now happily married to a beautiful woman and the father of a little girl, Gregori soon realizes that he can’t outrun the past.

In 2007, 11 years after one of the most influential American punk bands, Jawbreaker, called it quits, the three members, Blake Schwarzenbach, Chris Bauermeister, and Adam Pfahler reconnect in a San Francisco recording studio to listen back to their albums, reminisce and even perform together one last time. Follow the band as they retell their "rags to riches to rags" story writhe with inner band turmoil, health issues, and the aftermath of signing to a major label. Featuring interviews with Billy Joe Armstrong, Steve Albini, Jessica Hopper, Graham Elliot, Chris Shifflet, Josh Caterer and more.

Sexual encounters and criminal mayhem occur when two people meet via their computers.

Eric's art gallery is losing money, and even though his psychiatrist wife wants to help, she can't do much to cheer him up. When a young, sexy woman named Toni accepts a sales position at the gallery, she instantly brings it back to life, jump-starting Eric's troubled marriage in the process. But the marital problems soon come back, prompting accusations that Eric is having an affair with Toni.

Sixty years & a million records ago, Robert Christgau invented Rock music criticism. Anyone who has ever read or written a Pop music review has been influenced by Christgau, who canonized legends from The Ramones to Public Enemy & infuriated icons from Lou Reed to Billy Joel. Now in his eighties, Bob is still at it—amazingly with the same vigor, wit, concision and craft that has defined his expansive career. But in a world where albums are irrelevant, where print is dead & where algorithms have eclipsed critics we are forced to ask: What happens next—for Bob, but also for all music criticism? Is this the end of something? Is Robert Christgau the last critic?