Pairing an original text by philosopher McKenzie Wark (Hacker Manifesto, Raving) with slowly-strobing orange-hued images of her body and domestic life, framed by techno and the most stripped-down version of the rave’s aesthetics, this semi-documentary delicately merges the history of the left with the history of Wark's body as laid bare before the camera. We see the marks of her gender transition and her life story as she speaks of love and lost futures, even as both her own death and the death of the left hover just out of frame. A love story.

Pairing an original text by philosopher McKenzie Wark (Hacker Manifesto, Raving) with slowly-strobing orange-hued images of her body and domestic life, framed by techno and the most stripped-down version of the rave’s aesthetics, this semi-documentary delicately merges the history of the left with the history of Wark's body as laid bare before the camera. We see the marks of her gender transition and her life story as she speaks of love and lost futures, even as both her own death and the death of the left hover just out of frame. A love story.

Pairing an original text by philosopher McKenzie Wark (Hacker Manifesto, Raving) with slowly-strobing orange-hued images of her body and domestic life, framed by techno and the most stripped-down version of the rave’s aesthetics, this semi-documentary delicately merges the history of the left with the history of Wark's body as laid bare before the camera. We see the marks of her gender transition and her life story as she speaks of love and lost futures, even as both her own death and the death of the left hover just out of frame. A love story.

Pairing an original text by philosopher McKenzie Wark (Hacker Manifesto, Raving) with slowly-strobing orange-hued images of her body and domestic life, framed by techno and the most stripped-down version of the rave’s aesthetics, this semi-documentary delicately merges the history of the left with the history of Wark's body as laid bare before the camera. We see the marks of her gender transition and her life story as she speaks of love and lost futures, even as both her own death and the death of the left hover just out of frame. A love story.

Em is an escort girl and a heroin addict. From New York to Los Angeles via Pittsburgh, Em’s daily life is revealed.

Identity and performance, resistance and submission, and monotony and quiet rage crash into one another in this clear-eyed vision of a lesbian working as a professional dominatrix with a police officer as a regular client.

Identity and performance, resistance and submission, and monotony and quiet rage crash into one another in this clear-eyed vision of a lesbian working as a professional dominatrix with a police officer as a regular client.

Identity and performance, resistance and submission, and monotony and quiet rage crash into one another in this clear-eyed vision of a lesbian working as a professional dominatrix with a police officer as a regular client.

Em is an escort girl and a heroin addict. From New York to Los Angeles via Pittsburgh, Em’s daily life is revealed.

In Mongolia, Munkhjargal dreams of following in both her father's and her ancestors' footsteps as a horse trainer. Unfortunately, her entire way of life is threatened by a once rare but increasingly common phenomenon of extreme and unrelenting cold known as dzuds, which is forcing Mongolian herders to rethink their nomadic way of life.