Benjamin Britten’s opera Gloriana was written in 1953 for celebrations around the Coronation of Her Majesty Queen Elizabeth II, to whom the opera is dedicated. It had its first performance at the Royal Opera House on 8 June 1953, in the presence of The Queen then just 6 days into her reign. The centenary in 2013 of Britten’s birth prompted this new Royal Opera production, in which director Richard Jones uses the setting of a celebratory pageant in 1953 to explore the work’s alternating splendour and intimacy. This theatrical, inventive and colourful staging has at its core the symbolic reflections between the Tudor Elizabethan and the New Elizabethan ages that characterize the opera. The juxtaposition of the modern and the archaic in William Plomer’s libretto is wonderfully amplified in music that artfully fuses the sounds and manners of Tudor England – from lute songs to courtly dances – with Britten’s own distinctive style.

After many years of wandering around the world, an anxious composer chooses love over art. But it may be too late to salvage either. Franz Schreker was a popular composer in the early decades of the 20th century, until his music was banned by the Nazis because he was of Jewish background. Der ferne Klang, his first major work, is a late Romantic opera of grand passions. Director Christof Loy is back at the Royal Swedish Opera with a production set in a dreamlike mise en scène.

After interrupting her career following a traumatic performance of an opera written especially for her, an aging singer is now preparing for her return. Will this woman torn between a dream of the stage and a dream of love be able to achieve her goal? Written as a tribute to Romantic opera, Prima Donna is the first venture into opera by Rufus Wainwright, better known for his career in pop. Here we discover a self-destructive diva, inspired by Maria Callas. There is something ridiculous about the faded star, but through our admiration she will shine forever.