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Kwon returns to Seoul from a restorative stay in the mountains. She is given a packet of letters left by Mori, who has come back from Japan to propose to her. Kwon drops and scatters the letters, all of which are undated. When she reads them, she has to make sense of the chronology.
An ordinary housewife, Yeong-hye, who has nightmares every night, finally becomes a vegetarian, throwing away all the meats in her refrigerator. Her husband Kil-soo starts to complain about her actions. Her family also worries about her health. During a family lunch, Yeong-hye tries to kill herself due to her father's abrupt violence. Observing all the happenings, Yeong-hye's brother-in-law, Min-ho, a videoartist, hears from his wife that Yeong-hye has a Mongolian spot on her hips. Min-ho gets inspiration from this and starts to sketch.
The film follows the 5 athletes who competed in Pyeongchang Winter Olympics. A female ice hockey player who was adopted to the United States, a skeleton player from Ghana, an Afghanistan skier, a British snowboarder and a ski jumper who overcame a knee injury. They all step into the world of sports by going beyond their personal and human limitations. The film emphasizes their steps and trails through the images of their continuous walks. At the same time the walks are connected to the division of the hosting country, Korea. Pyeongchang Winter Olympic Games has overcome the conflict that could have led to another war, leading to participation of both South and North Koreas. Beyond the convention of celebrating only the winners, the film put significance in the whole path by looking at their stories behind the participation. Just like the title, the film depicts us beyond the border.
Seolhee and Hwajeong make an impromptu trip to the East Sea while waiting to hear the results of their recent job interviews. The purpose of the trip is to make a wish while watching the sunrise, but nothing happens as they hope. The two argue during the trip and have an accidental meeting while going their separate ways.
While waiting at a seaside town with her mother for a relative, a young woman creates a list of things she wants to do during her time there.
Is Korea a democratic republic or a prosecution republic? Can you be confident that the blade of the prosecution is not aiming at you? Their hunt has begun. Following the coordinates thrown by the prosecution, the media gathers, and rumors circulate. Prosecutors wield a sword before the angry public. Who is the one being chased over there? Are you confident that you are not the one?
A South Korean art house film director is first invited to serve on the panel of a film festival, then to guest lecture at a film school.
One winter day, nobody comes to see a play. One of the drama’s actresses becomes angry and leaves the theater. She goes to a park, drinks and meets people.
Facing her mother’s departure and the weight of a secret affair with her professor, college student Haewon drifts through a series of encounters and dreams, blurring the lines between her desires and reality.
As the first snow falls in Seoul, two old friends reunite; one is a successful college professor, and the other, a struggling filmmaker recently returned from the United States. After their reminiscences, they finally decide to go in search of the young woman each had romanced years earlier.
No pain, no gain. This is the motto of the Yoo family: the father is a successful doctor, the mother supervises their daughter's scholastic performance from the vantage point of their beautiful home. Then cracks appear in the facade which soon deepen and spread. In particular, the father seems to be losing control - he is suddenly faced with a sexual harassment lawsuit and an absurd running battle with a taxi driver.