Michaela, an epileptic, enrolls in college to study education. She goes off her medication and soon begins hearing voices and seeing apparitions that tell her to avoid religious objects, although she is devoutly Roman Catholic. One priest scoffs at the idea that Michaela could be possessed by demons, but a younger pastor arranges an exorcism for the young woman.

This film is a fascinating story about the life of Mileva Maric, a Serbian woman who was Albert Einstein’s first wife. It is an uplifting dramatic story about a woman who was a life companion during the most fruitful period of Einstein’s scientific work. Mileva intentionally carried to her grave one of the greatest secrets of modern science about her real contribution to the scientific work of Albert Einstein. Beside this eternal mystery, the film wishes to depict the love and dedication of Mileva to his husband’s fate, carrying herself a real Central European destiny of the first half of the XXth century.

The dull daily routine of an insurance agent, who listlessly drives down the highway every day and conducts customer meetings while longing for his family, becomes a metaphor for a life that has come to a standstill and is threatened with being crushed by loneliness.

In Gascony, a sparsely populated region in the southwest of France, lives Dr. Jean Cadéot, a ninety-year-old veterinarian who continues to work tirelessly and still enjoys doing so. Although his eyesight is getting worse and worse, he treats his animal patients with all his senses and all his love.

Based on the true story of Benjamin Prufer and Sreykeo Solvan. The unexpected and uncertain love story of Sreykeo, a 21 year old bar girl in Phnom Penh and Ben, a young German student traveling to Cambodia on a post graduation summer trip. When Ben returns home to Germany he discovers that Sreyko is sick and he takes on the responsibility to save her. On the way he discovers a world where not everyone is dealt the same cards and where motivations are not always pure.

A Bochum Schauspielhaus production. In ancient Scotland, after a victorious war, Macbeth and Banquo return home. Macbeth’s name is celebrated for his prowess in battle, and witches predict he will become king. Driven by ambition and his wife’s encouragement, Macbeth kills the king, his friends, and their families to seize power. Despite achieving the prophecy, he and his wife are overwhelmed by guilt. The second part of the prophecy will also come true, leaving Macbeth isolated and seeking liberation.

This German political drama from iconoclastic filmmaker Herbert Achternbusch takes a slightly askew look at neo-Nazis and the Holocaust. His non-story (a typical trait of Achternbusch films) is divided into three parts. The first introduces Hades, an eccentric half-Jewish coffin maker. Also introduced are the women in his life. The second part depicts different scenes from the city's Jewish ghetto. Included are disturbing film clips from Nazi propaganda footage that shows the naked corpses of starved Jews piled up in the streets with the insinuation that the heartless relatives of the dead would unceremoniously toss them out when they expired. In the third part, Hades is buried at sea. In between, neo-Nazis march unopposed in Munich, Hades battles skinheads, and Hades' shop is repeatedly vandalized. A scene where Hades is fascinated with death is also seen.

Chancellor Helmut Kohl is to blame in Germany and has to go away without violence. The homeless Hick takes up the idea and demonstrates the abolition of Kohl.

Taking place at the Concentration camp Buchenwald at the end of March 1945, prisoner Hans Pippig discovers in a carrying case of an incoming prisoner a Jewish child. If reported the three-year-old is sure to die. On the other hand, a violation of the rules of the camp would threaten the long prepared uprising of the concentration camp prisoners against the SS.