Jenny Karezi | WatchedThis
Jenny Karezi
Acting
Biography
Tzeni Karezi (Greek: Τζένη Καρέζη; 12 January 1932 – 26 July 1992) also known as Jenny Karezi, was a Greek film and stage actress. Evgenia Karpouzi was born in Athens, Greece, to a mathematician father and high school teacher mother. In 1951 she was accepted at the Greek National Theater, where she studied in the Drama School. The playwright Angelos Terzakis and the director Dimitris Rontiris were among her teachers. Upon graduation, in 1954, she was immediately thrust into starring roles in the theatre, playing alongside actors such as Alexis Minotis and Katina Paxinou. Her stage debut was in the Marika Kotopouli theatre in the French comedy, La belle Heléne, with Melina Mercouri and Vasilis Diamantopoulos. In 1955, Karezi made her cinema debut in the Alekos Sakellarios' comedy, Laterna, ftoheia kai filotimo in 1955, a massive success just like its sequel, Laterna, ftoheia kai garyfallo in 1957. For the soundtrack of the 1959 film To nisi ton genneon she recorded a song by future Academy Award-winner Manos Hadjidakis, "Min ton rotas ton ourano" ("Do not ask the sky"). Her career flourished in the 1960s, when she headed her own theater troupe in 1961 and starred in some of the most classic movies of the Greek cinema, like Lola (1964), Mia trelli ... trelli oikogeneia (1965), Tzeni-Tzeni (1966), and Kontserto gia polyvola (1967). Her greatest film success was Ta kokkina fanaria (The Red Lanterns; 1963), which was nominated for the Academy Award for Best Foreign Language Film. Her last film appearance was in Aristophanes' Lysistrata (1972). Over the following decade, she continued to produce and star in such stage classics as Who's Afraid of Virginia Woolf?, Medea and Electra. She appeared for the last time in theatre in 1990 in Loula Anagnostaki's play, Diamonds and the blues; suffering from terminal breast cancer, she was in great pain and had to leave the show.
Filmography Movies
Acting
The Red Lanterns
The inextricably intertwined stories of five sex workers who live in a brothel at Pireas harbor.
Miss Manager
The strict and formal director Lila Vassiliou has under her orders all the staff of the technical office of which she takes over the management, but at the same time, she is looking to find ways of charm to conquer the lively sub-engineer Alekos Samiotakis.
Jenny Jenny
Jenny Skoutari, a student and the daughter of a party local commander Kosmas Skoutaris, gets use to visit the private library of - her father's political rival - the shipowner Miltos Kassandris. Kassandris prepares his nephew - and a childhood friend of Jenny - Nikos Mantas, as a candidate for the next election. Mantas' rival has a lead, and is backed by Skoutaris, who is facing financial problems. So Kassandris decides to force Jenny to marry his nephew with a fake marriage, while at the same time financially breaks down her father in order to secure the election of his nephew. This marriage, however, will lead to unexpected situations between the couple..
1821 at the Cinema
In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.
Lysistrata
Based on Aristophanes's play, Athenian women band together to encourage their men to stop fighting the Spartans by withholding sex from them when they return from the front.
The Auntie from Chicago
Charilaos (Orestis Makris), a retired officer with very strict and conservative principles, raises his four daughters with... military discipline, taking care of their culture, their appearance and their good behavior. Despite all his desire to marry them, he does not leave them anywhere alone, as a result of which no man approaches them. His wife, Efterpi (Eleni Zafiriou), as well as his friend and neighbor Xenophon (Pantelis Zervos), make remarkable efforts to convince him to change his tactics, but he insists on his very conservative behavior. But when the conversation reaches the well-to-do sister of Kalliopis (Georgia Vassiliadou) who has been living in Chicago, USA for years, everything turns upside down. She returns to Athens and undertakes to modernize the general's house, as well as help the four girls (and her nieces) to be rehabilitated.
A Crazy Crazy Family
Mika is a young woman living in a crazy ... family. Her mother, Pasta Flora, is alienated, her little sister is uncontrollable, and her father is a good, but cowardly, man. She's engaged to Mikis but the day before their wedding she goes to Venice and marries Andreas, who, after meeting her family, he undertakes to make sense of them.
The Young Lady's Fool
Julia, the daughter of Telis, general manager of the steel company, is a rich girl who likes the good living. Grigoris, a poor employee in the company who is in love with Julia, after a series of misunderstandings will lose his job and be fired ...
The Hurdy-Gurdy
Two poor portable barrel piano players ramble through Greek countryside and play in fairs. They meet by chance with a rich runaway girl whose father offers a large reward to her finders.They have to choose between getting the reward or helping the girl with her renegade love affair.
A Knight for Vasoula
Vasoula is a poor girl who works as a secretary for a cranky older lady, Ms Kleio who loves novels with knights and lives secluded in her mansion with her butler Aristeidis. One day, in the absence of Ms Kleio, Vasoula is visited by a couple, Popi and Mitsos Bezestainis who ask if they can stay. The sudden return of Ms Kleio causes great upheaval kai Vasoula is forced to introduce Mitsos as her husband, who is a sailor and often away. When Ms Kleio dies, she leaves her entire estate to Vasoula whom she mentions in her will as "wife of Dimitrios Bezestainis". Now, the problems begin, and they can only be solved when Vasoula marries Mitsos.
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