
Acting
Jella Haase (born 27 October 1992) is a German actress. She began acting in theatre at a very early age. Her film credits include Lollipop Monster, Fack ju Göhte and Kriegerin. She has also appeared on the television shows Polizeiruf 110 and Alpha 0.7 – Der Feind in dir. She won the Bavarian Film Award for Best Young Actress in 2012, the Günter Strack Television Award in 2013 and earned a nomination at the German Film Awards in 2014. Haase was born in Berlin-Kreuzberg. Her mother is a dentist. Haase began her career as a child actor in drama theatre. In 2009, she made her film debut in the short film, Der letzte Rest at the age of 15. Her first major role was in the television film, Mama kommt!. It was followed by other TV productions, including two appearances in Polizeiruf 110. In 2010, she starred in six episodes of Alpha 0.7 – Der Feind in dir. In 2011, she acted in the movie Männerherzen … und die ganz ganz große Liebe. In the same year, she played a leading role in David Wnendt's neo-Nazi film Kriegerin. In the film she appeared alongside Alina Levshin and Gerdy Zint. For this role, and also for the 2011 Ziska Riemann's directorial debut film Lollipop Monster, she received the Bavarian Film Award for Best Young Actress in 2012. In 2013, she played the role of an underage prostitute who films herself having sex with judges and uses the video to blackmail them in the film, Puppenspieler. She also received the Günter-Strack-Television Award in June 2013 for Best Actress. In the same year, she played the role of a teenager Chantal Ackermann in the comedy film Fack ju Göhte directed by Bora Dağtekin. For her role in the film, she earned a nomination for the German Film Award for Best Actress in a Supporting Role in 2014. She also plays football for FC International. In 2022, she starred in the Netflix series Kleo. Source: Article "Jella Haase" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Chantal is at the beginning of her career as an influencer when she steps through a mirror and finds herself in a fairy tale. She identifies as Sleeping Beauty. Her best friend Zeynep follows her through the mirror. Chantal’s goal, naturally, is to find a man, definitely a prince. Perhaps she will marry Prince Bosco. She already has a wedding gown, but he seems more interested in men. Her friend, Aladdin (Mido Kotaini), has a magic lamp; he rubs it, and people appear. She works to finish making a flying carpet. There is a wicked witch, Sansara, who sometimes looks old but often young. Her friend Zeynep ends up in a grave but reappears. An elderly rather fat fairy pops up occasionally. Chantal must fight a dragon.

Marisa, a 20-year-old German girl, hates foreigners, Jews, cops, and everyone she finds guilty for the decline of her country. She provokes, drinks, fights and her next tattoo will be a portrait of Adolf Hitler. But Marisa's convictions begin to crumble when she meets a young Afghan refugee, and she learns that the black and white principles of her gang are not the only way.

Ari and Oona go to the same school. Lolita-like Ari, is blonde, pouting and lives in a world of bright colours, frustrated by her mother still treating her as a child, while arty Oona dresses in black and is treated as an adult by her artist father. When Oona’s father commits suicide after his wife has an affair with his brother Lukas, Oona starts to self-harm, but finds and unlikely friendship with Ari. Ari’s enthusiasm for exerting her sexuality rebounds when she starts an affair with Oona’s uncle, who has recently moved in with Oona’s mother.

Inspector Hannah Mangold returns to her old office after a long stay in a psychiatric ward. She is still suffering from anxiety attacks after an escaped inmate shot her daughter Laura's friend in front of her eyes. The perpetrator actually wanted to kill Hannah. However, her former position as head of department has now been taken over by her colleague Ulf Habermann. Lucy Palm is the youngest investigator in the department and doesn't take any advice from her colleagues. At first she is suspicious of the ex-head of department Mangold, who is secretly referred to by her colleagues as "the madwoman". But the longer she works with Hannah, the more she comes to appreciate her.

A set of mistranslations offer competing interpretations as to what is really going on when a young woman disposes of a Christmas tree at night.

Thomas Müller is spotted by a marketing agency for his exceptional normality.

A couple have disappeared without a trace on their way home after a medieval festival. This calls not only the officers from Brandenburg onto the scene, but also the currently sidelined investigator Lucy and her former colleague Hannah. During their investigations, they come across the widowed Harald Kurtz and his father-in-law Meckenstock, who live on an outlying farm. Meanwhile, Hannah suffers from hallucinations and finds out more about the family.

A better life is to begin for street child Anna in the mountain wasteland of all places. Where psychiatry and youth welfare services fail, only the experience of one's own limits can help, according to the mission of the unconventional educator Geena. On her mountain farm, she wants to reawaken a feeling for the existentially important things in life in her protégé through clear rules and daily work on the mountain pasture. But the unruly and disturbed girl has little faith in herself and the suffering she has experienced has left deep wounds in her childish soul...

Ex-con Zeki Müller goes undercover as a teacher at a below average Gymnasium to find money he'd stashed prior to incarceration.
Four young people from Berlin decide to spend their summer in Portugal. They throw away their smart phones, open up their relationships and try to free themselves from any social norms. But just as their utopia comes true, a devastating forest fire breaks out around them.






