Belgrade, 1999. Producer Sergei and his film crew are in a disastrous situation - the film they're making is under threat - there's no money, the crew are dissatisfied - and NATO bombing is just around the corner. Then a member of the State Security Service (Mileta) comes looking for American co-producer Harvey. Anxious and worried, in the midst of the bombing that's begun, Sergei hides Harvey from what he thinks is awaiting him - arrest. During the night, he thinks up a plan. He announces the start of filming on a new, patriotic film - in which the main role will be played by Harvey. The plan works - the State supports the film and Mileta, as the State's representative, joins the crew. However, the underlying conflict between Mileta and Sergei explodes during the first screening. Mileta accuses them of being artists, and not being patriots.

A group of relatively young (30-35 years), college-educated, smart, urban people, whose youth was destroyed in the events during the breakup of Yugoslavia, in a late search for their identity.

Short art film without dialogue inspired by life and work of avant-garde Belgrade artist. Mystical quest for integral painting runs across garbage dump of modern culture.

A once-famous and talented actor, after a life collapse caused by alcohol and drugs, finds himself at rock bottom and begins his new acting life as Kosta the Clown, an entertainer at children’s birthday parties. An old colleague offers him a deal he can’t refuse: for a large sum of money, he agrees to host a children’s reality show called Magic Land.