Directing
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An experimental portrait of the New York gallerist and publisher Christine Burgin told through her Borgesian library of strange and visionary books by such eclectic figures as Dinshah Ghadiali, Eva Carrière, Charles Ford, Richard Shaver, and Wilhelm Reich. Seen through 16mm film, VHS tape, 35mm slide sources as well as the full spectrum of visible color, The Secret World invites us into a self-contained universe of mystical, even crackpot thinking and imagining, as Burgin's longtime friends and "documentarians" Jeff Preiss and Josiah McElheny leaf through "images of lost Atlantis found in a rock, perpetual motion machines or manifested ectoplasm in historic performances." – Museum of Modern Art
A celebration of Ken Jacobs' work at 80WSE.
Presented in five vignettes, and starring the brothers of Matt Dillon. The Beauty Brothers offers-up the romance, desire, dreamscapes and frustrations of youth. Part I: Junk Food Conversation, 2:44; Part II: Bedroom Bongos, 2:37; Part III: Dream Wheels, 2:39; Part IV: Poolhopping, 1:47; Part V: Runaway, 2:39
Photographer Bruce Weber profiles boxer Andy Minsker, including his pro career and family relations, and the boys' boxing club Minsker runs.
The daughter of jazz pianist Joe Albany witnesses her beloved father's struggle -- and failure -- to kick his heroin habit.
A portrait of three remarkable women who were once celebrated figures in the German cultural scene: film star Dolly Haas, dancer Lotte Goslar and artist Maria Ley, Erwin Piscator's widow.
Documentary about jazz great Chet Baker that intercuts footage from the 1950s, when he was part of West Coast Cool, and from his last years. We see the young Baker, he of the beautiful face, in California and in Italy, where he appeared in at least one movie and at least one jail cell (for drug possession). And, we see the aged Baker, detached, indifferent, his face a ruin. Includes interviews with his children and ex-wife, women companions, and musicians.
Bruce Weber's making-of documentary for his portrait of Chet Baker, LET'S GET LOST.
Turned while visiting New York, down-on-her-luck Neue Deutsche Welle vampire Sylvana struggles to get by in 1980s West Berlin when she realizes none of her friends want to be bitten.
Young mattress salesman Brian decides to adopt a baby from China but is distracted when he forms a relationship with quirky, wealthy Harriet whom he meets at his mattress store. As their relationship flourishes, unbeknownst to them, a hitman is trying to kill Brian.
A quickfire portrait of the New York City ballroom scene in the ‘80s.