The new owner of a roadside diner stuck in a town built around an always leaking nuclear power plant plans to torch the place to collect insurance. However, an assortment of bizarre characters and weird events (such as spaceships flying around) gets in his way.

Nearly 15 years after its initial release on VHS, Joni Mitchell’s critically acclaimed Refuge Of The Roads concert film is available on DVD. This legendary 1983 show, filmed on a soundstage at the end of a successful tour, is highlighted by her version of "Woodstock" (a hit for Crosby, Stills, Nash and Young), "For Free" and "Raised On Robbery," as well as clips from intimate home movies shot during the tour. Mitchell’s love affair with jazz/rock was in full swing during the tour, and she brought with her a great band: keyboardist Russell Ferrante (Yellowjackets), guitarist Michael Landau, bassist (and husband) Larry Klein, and drummer Vinnie Colaiuta. The ensemble seamlessly wove elements of jazz, pop, rock and folk together, while Mitchell’s incomparable lyrics gracefully floated above it all.

Self-directed combination of concert footage from 1966 onward, backstage footage and art film-like sequences.

Self-directed combination of concert footage from 1966 onward, backstage footage and art film-like sequences.

Carved from a lifetime of experience that runs the gamut from incarceration to liberation, Dog Eat Dog is the story of three men who are all out of prison and now have the task of adapting themselves to civilian life.

Solo Trans is a concert film by Neil Young, released in 1984. It was recorded at the Hara Arena in Dayton, Ohio on September 18, 1983 during Young's Solo Trans tour.

The new owner of a roadside diner stuck in a town built around an always leaking nuclear power plant plans to torch the place to collect insurance. However, an assortment of bizarre characters and weird events (such as spaceships flying around) gets in his way.

Neil Young's set in Boarding House consisted of 15 songs, 10 of which were unreleased at the time. This show also marks his first time appearing with wireless microphones.

Self-directed combination of concert footage from 1966 onward, backstage footage and art film-like sequences.

Part documentary, part expose, this film follows one-time child evangelist Marjoe Gortner on the "church tent" Revivalist circuit, commenting on the showmanship of Evangelism and "the religion business", prior to the start of "televangelism". Preserved by the Academy Film Archive in 2005.