With their spectacular ephemeral works of art, the visual artists Christo and Jeanne-Claude had made prestigious monuments rediscovered under a new light, from the Pont-Neuf to the Reichstag. An enlightening portrait of an artist couple who became stars.

A documentary on New York City’s biggest public art project ever, an installation called “The Gates” by Christo and Jeanne Claude.

Wrapped Walk Ways, in Jacob Loose Memorial Park, Kansas City, Missouri, consisted of the installation of 136,268 square feet (12,540 square meters) of saffron-colored nylon fabric covering 2.7 miles (4.4 kilometers) of formal garden walkways and jogging paths.

In 1969, Christo and Jeanne-Claude wrapped 2.5 kilometers of coast and cliffs up to 26 metres along the coast of Little Bay, in Southeast Sydney, Australia.

Beginning with their small wrapped objects of 1958, this portrait examines the continuously bold and ambitious artistic ventures of the enigmatic duo, CHRISTO AND JEANNE-CLAUDE. Though their large scale environmental projects, such as Running Fence and Wrapped Coast, are often met with distress and concern from the surrounding community, perceptions of the project are likely to shift when it comes time to interact with the grand, finished piece. Neither permanent nor purchasable, Christo and Jeanne-Claude’s works exude the essence of freedom and exist only for the sake of existing.

This Oscar-nominated documentary follows Christo and Jeanne-Claude as they conceive and execute Valley Curtain, an immense orange fabric installation stretched across a Colorado mountain pass. Filmed in a direct-cinema style, "Christo’s Valley Curtain" observes the negotiations, engineering challenges, and collective labor that shape the artwork, revealing the process itself as an essential part of the final creation.

Second in the series by the Maysles brothers documenting the monuments/sculptures of Christo, whose art projects are landscape-scaled, and more "pop" performance art designed to question how we relate to art in the public sphere, especially when it's as oblique, non-political (at least, that is what he would claim), and neutral as running a fence through a landscape.

Christo and Jeanne-Claude try to get their project "Over the River" off the ground. Meanwhile, "The Gates" take shape in New York City's Central Park.

Documentary about conceptual artist Christo and his wife Jeanne-Claude's attempt to "wrap" the Pont-Neuf in Paris.

The Hissen Brothers document Christo and Jean-Claude's project "Wrapped Trees" in Switzerland.