Iranian Iradj Azimi directed this French historical drama re-creating events depicted in the famous 1819 painting The Raft of the Medusa by Jean Louis Andre Theodore Gericault (1791-1824). The ill-fated voyage of the frigate Medusa begins when it departs Rochefort for Senegal in 1816. After striking a sandbar off the African coast, 150 civilians row safely to shore, but Captain Chaumareys (Jean Yanne) orders 140 soldiers and sailors onto a raft (minus supplies) and has it cut loose. Only 14 survive from the 140, creating a scandal back in France. Gericault (Laurent Terzieff) later talks to three of the survivors while researching his painting. Work on this film began in 1987, but sets destroyed by Hurricane Hugo caused delays, so the film was not completed until 1990. However, it then remained undistributed until an incident in which writer-director Azimi slashed his wrists in front of French Ministry of Culture officials.

When his young son is killed in a hit and run accident, Charles Thenier resolves to hunt down and murder the killer. By chance, Thenier makes the acquaintance of an actress, Helène Lanson, who was in the car at the time of the accident. He then meets Helène’s brother-in-law, Paul Decourt, a truly horrible individual.

In 19th-century France, doctor's wife Emma Bovary seeks to escape her dull provincial life through various extramarital affairs and extravagant spending, leading to tragic consequences.

In colonial Vietnam, dashing French naval captain Jean-Baptiste, wealthy plantation owner Éliane Devries, and her adopted Vietnamese daughter Camillevare the three points of a cross-cultural romantic triangle. As the struggle against European imperialism sweeps Indochina, Jean-Baptiste and Camille have to choose sides and Éliane faces the emotionally difficult challenge of raising the child of her daughter and ex-lover.

A Paris real estate developer feels compelled to withdraw from his seemingly perfect life into a world of his own. Is the man going insane? By conventional standards, maybe, but it's clear that the life he's fleeing is madder still from his point of view, and since that point of view is unfailingly witty and astute, we even come to accept his delusions as more "real" than reality.

An unlikely friendship between a dour, working class butcher and a repressed schoolteacher coincides with a grisly series of Ripper-type murders in a provincial French town.

In 18th century France, the Chevalier de Fronsac and his Native American friend Mani are sent by the King to the Gevaudan province to investigate the killings of hundreds by a mysterious beast.

A supposedly idyllic weekend trip to the countryside turns into a never-ending nightmare of traffic jams, revolution, cannibalism and murder as French bourgeois society starts to collapse under the weight of its own consumer preoccupations.

In a time of war and disease, a young officer gallantly tries to help a young woman find her husband.

Selon "Radio plus près de Dieu", rien n'est conçu sans Dieu, surtout pas les shampoings, produits de beauté, la vente des disques... Un animateur dénonce cette escroquerie à l'antenne, ce qui lui vaut d'être licencié. Il réapparaîtra sur de nouvelles ondes avec "Radio plus près de la Vérité".