Young - beautiful - married, fulfilled, Martha is bored. Passive in an active society, she took a first step by serving as a "guinea pig" to her brother researcher who undertook a comparative study on animal behavior and human behavior.

A courageous judge tries to dismantle a drug traffickers ring.

Aline Issermann's "Shades of Doubt" ("L'Ombre du Doute"), a French film about a wrenching family crisis, is set forth with remarkable restraint. The subject is incest, but the story's potential for tawdriness is never exploited. Instead, Ms. Issermann presents a discreet, methodical account of how 12-year-old Alexandrine comes to bring and then recant charges against her father, Jean.

After his family tries to kill him and he has been pronounced dead, Michel returns from the dead and sets about getting revenge on his family members. He sends each one a voodoo doll, warning of their fate. Wandering over the streets of Paris, Michel is the haunted and hunted, as he himself hunts his villainous kin.

In a crumbling military outpost, Woyzeck—a weary soldier—drifts between duty and despair, haunted by silence and the wind. His wife Marie, restless and unloved, falls for the pompous Drum Major, igniting a spiral of humiliation and betrayal. Mocked by his superiors and beaten by his rival, Woyzeck retreats to the pond where only his child offers comfort. As madness and sorrow converge, he makes a tragic choice on a moonless, blood-stained night—finally expressing the love he never could.

This is rural France. It's the summer of 1943, the weather is fine and sunny and life is sweet. On one of these beautiful days, Nanette, a fourteen-year-old peasant girl, meets a slightly injured young man near the farm she lives on. Her life is about to change forever.

Hoping to make a fresh start, Léo, a jazz musician, takes up temporary residence with his friend Bony, a young writer who is struggling to get his work published. One evening, Léo strikes up an acquaintance with a woman taxi driver, Cora; in spite of her impulsive and moody temperament, he cannot help being attracted to her. On the spur of the moment, Cora invites Léo to make love to her. When Bony meets Cora, he too finds her irresistible, but he lacks Léo’s self-confidence to make his move. Cora is not a woman that any man can possess readily. She is like a wild animal, a creature that revels in its freedom. Will either Léo or Bony be able to tame her...?

This film bears witness to a life that changes... Or how Aurore, a young woman of 26 who is bored in Nohant, with Baron Dudevant, her country husband with the appearance of a gentleman, becomes George Sand.