Even among bombers and murderers, there is a social ladder, a hierarchy to climb. Jeremie is a mere bomber who blows up people and places for mobsters in Paris. He may not look it, scruffy lad that he is, but he is a sensitive fellow, and he feels his lowly status keenly. If only he could graduate to the ranks of hitmen, who are honored in his world, perhaps then he would feel more like somebody. He finally gets his chance when he receives instructions to kill the eminent hitman Max, who knows too much to be left alive. Instead of planning a cool and distant hit, Jeremie gets to know his quarry personally and thereby gets entangled in a mass of conflicting allegiances. Max has one more assignment and has asked Jeremie to help him with it. The hero-worshipping boy can't bring himself to knock of this classy guy. However, just having such an inept apprentice as Jeremie around is enormously dangerous for the soon-to-be-retired killer.

La Comédie-Française is the oldest continuous repertory company in the world, founded in Paris in the late 17th century. This is the first time a documentary film-maker has been allowed to look at all the aspects of the work of this great theatrical company. Sequences in the film include sections of plays, casting, set and costume design, administrative meetings and rehearsals and performances of four classic French plays, Don Juan by Molière, La Thebaide by Racine, La Double Inconstance by Marivaux and Occupe-toi d'Amelie by Feydeau. (Zipporah Films)

Émile targets women he believes are too depressed to go on living. As multiple victims fall to his suffocating white scarf, an inspector resorts to unorthodox methods to get him with the assistance of a potential victim.

A prominent politician is murdered during a demonstration. The government and army are trying to suppress the truth, but a tenacious magistrate is determined to not to let them get away with it.

Victor Valance, an absent father and gambler, works with shady casino operations abroad. When he returns to Paris in need of money, he plans to take advantage that Pauline, his eldest daughter now fully responsible for the whole family, has begun to work for the Ministry of Finance. Pauline thwarts his new projects but when she realizes gangsters are looking for Victor she will put her life at risk to help him and save their family.

On 9 January 1836, Pierre Lacenaire goes to the guillotine, a murderer and a thief. He gives Allard, a police inspector, his life story, written while awaiting execution. He also asks Allard to care for Hermine, a lass to whom he has been guardian for more than ten years. In flashbacks, from the prison as Lacenaire writes, from Allard's study as he and Hermine read, and from other readers' memory after the book is published, we see Lacenaire's childhood as he stands up to bullies, including priests, his youthful thieving, his first murder, his brief army career, his seduction of a princess, and his affair with Avril, a young man who dies beside him.

Just before taking an irrevocable and tragic step, Caroline talks to Claire, her lycée friend. Later, Claire gathers five other school friends, and tells them Caroline's secret. The six agree to wage a guerrilla war against their philosophy teacher, the sarcastic and belittling M. Terrien, the cause of Caroline's despair. After seeking advice from Mayard, the school's guidance counselor and a leftist with a police record, the six look for evidence that could get Terrien fired. They strike gold, and then raise the stakes. Sarah, one of the six, hatches a deadly plan.

Complex and more cerebral than a wartime action-thriller, this espionage drama focuses on the relationship of two former buddies who were fencing masters before the war and in love with the same woman. Now Delancourt (Bernard Giraudeau) is apparently living a good life managing a gym in a Paris hotel under Nazi control, where he meets his former friend Pierre (Christophe Malavoy), who is on a secret assignment to mislead the Nazis on the date of the Normandie invasion. Pierre, alias Augustin, cannot figure out if Delancourt is a real resistance fighter or if he is a double agent. Circumstances create a larger and larger gap between the former friends while the plot goes through several twists and turns before Pierre's doubts are resolved.