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As young French couple Gilles and Marion officially separate, we see, in reverse order, the milestone moments in their relationship: Gilles revealing his unfaithfulness at a tense dinner party; Marion giving birth to their premature son while Gilles is elsewhere; Gilles and Marion's joyous wedding; and, finally, the fateful moment when they meet as acquaintances at an Italian beach resort, and their love affair begins.

In 1982, André Bamberski learns about the death of his 14 year-old daughter, Kalinka, while she was on vacation with her mother and stepfather in Germany. Convinced that Kalinka’s death was not an accident, Bamberski begins to investigate. A botched autopsy report raises his suspicions and leads him to accuse Kalinka’s stepfather, Dr Dieter Krombach, as the murderer. Unable to indict Krombach in Germany, Bamberski attempts to take the trial to France, where he will dedicate his life to Kalinka’s justice and the imprisonment of Krombach.

What happens when a man and a woman share a common passion? They fall in love. And this is what happens to Jean-René, the boss of a small chocolate factory, and Angélique, a gifted chocolate maker he has just hired. What occurs when a highly emotional man meets a highly emotional woman? They fall in love, and this is what occurs to Jean-René and Angélique who share the same handicap. But being pathologically timid does not make things easy for them. So whether they will manage to get together, join their solitudes and live happily ever after is a guessing matter.

Two brothers set fire to a barn while drunk, inadvertently causing the death of a sleeping wanderer. One of them takes all the blame for the incident and spends ten years in prison.
Romances of earth and Water is a film designed for a choir of 14 adult characters and 6 children, each of whom also recognizes himself in the echo of the words of others. No lamentation or reproaches, the characters of the film do not complain, they are lucid. Through voice but also through music, poetry, dances and clay-based creations, they tell the fragility of every moment, couples who love each other, drought, the owner, dreams, culture, animals, the future for children, the price of things, money, and the earth.

Cocada and Nego are two boys in their early teens living in a small town in Pernambouc, Brazil. Cocada and Nego are half-brothers who live with their mother, stepfather and eight other siblings in a ramshackle house where the children are often left to care for themselves as their parents work. Filmmakers Jean-Pierre Duret and Andréa Santana spent some time with Cocada and Nego, and Puisque nous sommes nés is a documentary that offers a look at their lives as they struggle with poverty and dream of a happier future.

The São Francisco River crosses the Brazilian hinterland, lands marked by extreme aridity. This great river that was once impetuous and generous is now very fragile. Deforestation of its margins and overexploitation of land by intensive agriculture endanger the great diversity of its ecosystem. The lives of riverside dwellers are affected in its deepest integrity, as well as their areas. The São Francisco River is the vital flow of their existence and the central place of their hopes and imagination, but the general feeling is that if the river dies, everything will disappear with it. Women are at the forefront of resistance. They struggle daily to allow for the possibility of a future. Their children also claim this identity, which it is up to them to renew and make fruitful.

A true story shot in a German Impressionistic style. In France during the Nazi occupation, Dr. Petiot (Michel Serrault) offered to help Jews escape the Nazis. They would come to his house, and he would kindly give them lethal "vaccinations" for their anticipated travel to Argentina. Then he would steal everything the brought with them (in addition to their up-front payment to him) and burn their bodies in his home-made crematorium.

Recently discovered and shown only twice before, Incantati is an alternate ending to Danièle Huillet and Jean-Marie Straub’s 2003 film Umiliati — fragment as mini-manifesto.

Three months after surviving a terrorist attack in a bistro, Mia is still traumatized and unable to recall the events of that night. In an effort to move forward, she investigates her memories and retraces her steps.
