The SS puts a slutty nightclub singer in charge of a train car full of prostitutes whose "services" are reserved solely for Adolf Hitler.

The film is a series of images, shown in short takes (anywhere from a few frames to 30 seconds), of more or less fetishistic imagery (something Bouyxou was particularly fond of). After a credit and title sequence written on naked human flesh, the viewer sees the brilliant Molinier standing sanctimoniously in front of a screen. Soon he is joined by a woman, and he fondles her breasts while retaining his signature grin. Molinier seems to almost be the 'ringmaster' of the incidents, with almost every minute episode cutting back to him. His presence is one thing that makes this film remarkable; the same sort of aura that exists in Moliniers famous self-portraits and cut-ups is present here, on screen. (esotika.blogspot.com)

Amours Collectives starts out as libertarian porn, but ends up more like direct cinema, in which the film itself functions as its own making-of! Witty, salacious scenes follow one after another, with the director more or less becoming the central character.

Amours Collectives starts out as libertarian porn, but ends up more like direct cinema, in which the film itself functions as its own making-of! Witty, salacious scenes follow one after another, with the director more or less becoming the central character.

Serge Bresson, the famous erotic photographer of the 60s, reveals the secret adventures which he was privileged to witness, and often join in, with his virility and his taste for beautiful women. This explosive film tells of sensational adventures and scandals, which had never been published.

Mechanics, oil, pistons, demanding customers make you tired. One day, you have to hand over... This is what a garage holder says to his two pretty daughters. In order to inherit the garage, which of them will be the best? The one who will get married first. A harsh competition starts between the two sisters...

Documentary produced and broadcast in the show "Court Circuit" on Arte.

Ever since the goddesses, gorgons and other sirens of ancient mythology, the strangest creatures, sometimes charming, sometimes terrifying, have continued to haunt our imagination. This documentary shows the disturbing fascination they exert on both filmmakers and the public and rehabilitates an underappreciated continent: the great female icons of horror and wonder in cinema.

Détournement of a military training film, stolen from the Belgian army, augmented with a farcical credit sequence.

Ever since the goddesses, gorgons and other sirens of ancient mythology, the strangest creatures, sometimes charming, sometimes terrifying, have continued to haunt our imagination. This documentary shows the disturbing fascination they exert on both filmmakers and the public and rehabilitates an underappreciated continent: the great female icons of horror and wonder in cinema.